The Earliest Inhabitants: The Dynamics of the Jamaican Taino
by Lesley-Gail Atkinson
by Lesley-Gail Atkinson
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Art<br />
Art can be religious, functional, aes<strong>the</strong>tic or documentary (Atkinson 2002).<br />
Taíno art forms include idols, figurines, duhos, cave art and o<strong>the</strong>r items<br />
(Moure and Rivero de la Calle 1996). Prehistoric art can be useful in illustrating<br />
<strong>the</strong> importance <strong>of</strong> plants and how <strong>the</strong>y were utilized by various societies.<br />
Jamaica has a number <strong>of</strong> examples <strong>of</strong> Taíno art; however, <strong>the</strong> motifs <strong>of</strong><br />
<strong>Jamaican</strong> petroglyphs and pictographs are primarily zoomorphic and anthropomorphic<br />
(Atkinson 2002).<br />
Texts<br />
Most <strong>of</strong> our information on Taíno exploitation <strong>of</strong> plants and agricultural practices<br />
is derived from Hispanic ethnographic data. Gonzalo Fernández de<br />
Oviedo’s <strong>The</strong> Natural History <strong>of</strong> <strong>the</strong> West Indies highlights some <strong>of</strong> <strong>the</strong> uses <strong>of</strong><br />
plants by <strong>the</strong> Taínos <strong>of</strong> Hispaniola – and invites <strong>the</strong> reader to assume that similar<br />
techniques were used by <strong>the</strong> <strong>Jamaican</strong> Taínos: “All that I have said <strong>of</strong> <strong>the</strong><br />
people and o<strong>the</strong>r things <strong>of</strong> Hispaniola applies in part to Cuba, Puerto Rico,<br />
and Jamaica” (1959, 19).<br />
Because so little work has been done on macro- and microbotanical<br />
remains in <strong>the</strong> island, <strong>the</strong> arguments in this chapter rely on o<strong>the</strong>r evidence:<br />
associated artefacts, art and ethnographic texts.<br />
Taíno Impact on <strong>the</strong> Natural Vegetation<br />
<strong>The</strong> <strong>Jamaican</strong> Taínos and <strong>the</strong>ir predecessors, <strong>the</strong> Ostionoids (Ostionan and<br />
Meillacan), were <strong>the</strong> first to have an impact on <strong>the</strong> island’s vegetation.<br />
According to Rashford, humans assist, directly or indirectly, in <strong>the</strong> transformation<br />
<strong>of</strong> natural environments. <strong>The</strong> intentional and unintentional selection<br />
<strong>of</strong> plants in <strong>the</strong> environment produces distinctive settlement vegetation that is<br />
an expression <strong>of</strong> <strong>the</strong> historical development <strong>of</strong> <strong>the</strong>ir way <strong>of</strong> life (1998, 37).<br />
When <strong>the</strong> Ostionoids arrived in Jamaica around AD 650, <strong>the</strong>y must have<br />
found incredibly rich natural resources:<br />
<strong>The</strong> West Indian forests contained an abundance <strong>of</strong> wild fruits and vegetables,<br />
including palms, guava berries, and guáyiga, a cycad with edible roots. Saltwater<br />
fish, shellfish, and waterfowl were available along <strong>the</strong> shores, especially in estuaries,<br />
mangrove swamps, and reefs, which provided shelter from <strong>the</strong> open sea.<br />
Manatees and turtles could also be hunted <strong>the</strong>re. <strong>The</strong> food resources varied<br />
from island to island, making it possible for <strong>the</strong> natives to develop extensive<br />
trading networks. (Watters and Rouse 1989)<br />
T HE E XPLOITATION AND T RANSFORMATION OF J AMAICA’ S N ATURAL V EGETATION<br />
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