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The Earliest Inhabitants: The Dynamics of the Jamaican Taino

by Lesley-Gail Atkinson

by Lesley-Gail Atkinson

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22 T HE E ARLIEST I NHABITANTS<br />

decoration and o<strong>the</strong>r artefacts were found. In essence, <strong>the</strong> change in emphasis<br />

reflected a shift from quality to quantity. On <strong>the</strong> one hand, <strong>the</strong> discovery <strong>of</strong><br />

exotic artefacts is a rare occurrence akin to winning <strong>the</strong> lottery; on <strong>the</strong> o<strong>the</strong>r,<br />

archaeological sites are common in Jamaica, and new ones can be found with<br />

relatively little effort.<br />

Howard’s dissertation (1950) describes in detail archaeological investigations<br />

that had been conducted before 1950. In this regard it provides an<br />

important starting point for an inventory <strong>of</strong> archaeological sites and descriptions<br />

for material remains. He recorded seventy-five midden sites, twentyseven<br />

cave sites, and nine rock art sites. His inventory and references to <strong>the</strong><br />

original publications on <strong>the</strong>se sites are reported in Tables 1.1–1.3 (see appendix).<br />

We include <strong>the</strong>se tables to provide present and future researchers with<br />

<strong>the</strong> sources for research up to that date.<br />

In his later publications Howard (1956, 1965) fitted <strong>Jamaican</strong> archaeology<br />

into <strong>the</strong> dominant classification scheme <strong>of</strong> <strong>the</strong> time. It is worth reiterating<br />

that his scheme was based on Rouse’s taxonomy, which identified a single<br />

line <strong>of</strong> development for <strong>the</strong> islands. O<strong>the</strong>r archaeologists identified every different<br />

pottery series as representing <strong>the</strong> migration <strong>of</strong> a new group <strong>of</strong> people<br />

into <strong>the</strong> West Indies (see Keegan 2000). In contrast, Rouse has always maintained<br />

that <strong>the</strong>re was a single line <strong>of</strong> development, that each new pottery series<br />

developed from <strong>the</strong> previous series and that new immigrants were not responsible<br />

for <strong>the</strong> observed changes (Siegel 1996).<br />

According to Rouse’s scheme at <strong>the</strong> time, <strong>the</strong> first Ceramic Age peoples in<br />

<strong>the</strong> islands were <strong>the</strong> Saladoid (named for <strong>the</strong> Saladero site on <strong>the</strong> Orinoco<br />

River in Venezuela). <strong>The</strong>y reached Puerto Rico about 400 BC but did not<br />

expand into Hispaniola, and <strong>the</strong>re was no fur<strong>the</strong>r movement to <strong>the</strong> west, until<br />

after AD 600. Rouse (1986) described <strong>the</strong> failure <strong>of</strong> pottery-making to expand<br />

westward at this time as evidence for a “frontier” at <strong>the</strong> Mona Passage. By AD<br />

600 a new pottery series had developed, which Rouse called Ostionoid<br />

(named for <strong>the</strong> Punta Ostiones site in Puerto Rico). <strong>The</strong> Ostionoid peoples<br />

began a new phase <strong>of</strong> population movement, expanding into Hispaniola,<br />

Cuba, <strong>the</strong> Bahamas and Jamaica after AD 600. <strong>The</strong> Ostionoid series is distinguished<br />

by simple hemispherical and boat-shaped vessels, frequently decorated<br />

with red paint (see Figure 1.2). For this reason <strong>the</strong> pottery is <strong>of</strong>ten called<br />

Redware.<br />

Rouse (1986) at one time concluded that <strong>the</strong> Ostionoid series <strong>the</strong>n developed<br />

into <strong>the</strong> Meillacoid series (named for <strong>the</strong> Meillac site in Haiti), through<br />

<strong>the</strong> abandonment <strong>of</strong> red paint and <strong>the</strong> adoption <strong>of</strong> fine-line incised and<br />

appliqué decorations. <strong>The</strong> change occurred in central Hispaniola, and <strong>the</strong> new<br />

form <strong>of</strong> decoration spread to Cuba and Jamaica. Rouse views this transition as<br />

<strong>the</strong> spread <strong>of</strong> new ideas about decoration ra<strong>the</strong>r than <strong>the</strong> actual movement <strong>of</strong>

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