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The Earliest Inhabitants: The Dynamics of the Jamaican Taino

by Lesley-Gail Atkinson

by Lesley-Gail Atkinson

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tional eleven sites have been discovered. <strong>The</strong> highest concentration <strong>of</strong> cave art<br />

sites in Jamaica is found in <strong>the</strong> sou<strong>the</strong>rn parishes <strong>of</strong> Clarendon, St Elizabeth,<br />

St Ca<strong>the</strong>rine and Manchester.<br />

Ethnographic data reveal that <strong>Jamaican</strong> Taínos are renowned for several<br />

things – cotton, cassava bread, celts and, most important, wooden idols. After<br />

he assessed <strong>the</strong> three wooden sculptures from Carpenter’s Mountain in 1792,<br />

William Faggs said:<br />

It is remarkable, since ra<strong>the</strong>r few figures in wood have been found in <strong>the</strong><br />

Americas, that this one tribe, <strong>the</strong> Arawak, has produced so many works <strong>of</strong><br />

supreme sculptural merit, fit to be compared with <strong>the</strong> best tribal works <strong>of</strong> <strong>the</strong><br />

o<strong>the</strong>r continents, and, so far as <strong>the</strong> surviving works allow us to judge, probably<br />

<strong>the</strong> finest works <strong>of</strong> wood sculpture produced in <strong>the</strong> Americas before or since<br />

Columbus. (National Gallery <strong>of</strong> Jamaica 1992, 4)<br />

Cave art sites in Jamaica are not as common as burial caves, and wooden<br />

zemís found in caves are considered rare treasures. Nicholas Saunders and<br />

Dorrick Gray, in <strong>the</strong>ir chapter “Zemís, Trees and Symbolic Landscapes: Three<br />

Taíno Carvings from Jamaica”, discuss <strong>the</strong> most important Taíno find in<br />

Jamaica since <strong>the</strong> eighteenth century – <strong>the</strong> Aboukir zemís recovered in 1992.<br />

<strong>The</strong> Aboukir finds include a ceremonial staff, a bird figure and a small ceremonial<br />

ladle or spoon, which are now housed in <strong>the</strong> National Gallery <strong>of</strong><br />

Jamaica.<br />

Saunders and Gray re-examine <strong>the</strong> place <strong>of</strong> wooden zemís in Taíno religion.<br />

<strong>The</strong>y highlight <strong>the</strong> importance <strong>of</strong> <strong>the</strong> zemís, <strong>the</strong> selection <strong>of</strong> <strong>the</strong> wood<br />

used in <strong>the</strong>ir creation and <strong>the</strong> Taíno perception <strong>of</strong> <strong>the</strong> natural world. <strong>The</strong><br />

authors <strong>the</strong>n demonstrate similarities between <strong>the</strong> Taíno view <strong>of</strong> <strong>the</strong> natural<br />

world and that <strong>of</strong> <strong>the</strong> lowland Amazon societies.<br />

Since <strong>the</strong> discovery <strong>of</strong> <strong>the</strong> Aboukir zemís, a wooden duho has been recovered<br />

from <strong>the</strong> Hellshire Hills, St Ca<strong>the</strong>rine. This duho, dated AD 1000–1170,<br />

is currently housed in <strong>the</strong> National Gallery <strong>of</strong> Jamaica. Thus an estimated<br />

thirteen wooden objects have been obtained from <strong>Jamaican</strong> caves, located in<br />

<strong>the</strong> parishes <strong>of</strong> Manchester, St Thomas, St Ann and St Ca<strong>the</strong>rine.<br />

176 T HE E ARLIEST I NHABITANTS

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