The Earliest Inhabitants: The Dynamics of the Jamaican Taino
by Lesley-Gail Atkinson
by Lesley-Gail Atkinson
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triangular ridges. It is thought that <strong>the</strong> shape <strong>of</strong> <strong>the</strong> turtle may have inspired<br />
<strong>the</strong> oval or boat-shaped vessels; <strong>the</strong> Taíno esteemed <strong>the</strong> turtle and used turtle<br />
motifs extensively as adornment on <strong>the</strong>ir pottery.<br />
In contrast, <strong>the</strong> round bowls were modelled in a form similar to <strong>the</strong> calabash,<br />
sometimes with only one end elevated (Figure 10.3). Often when terminal<br />
handles are absent, <strong>the</strong> stems <strong>of</strong> <strong>the</strong> vessels, like those <strong>of</strong> <strong>the</strong><br />
boat-shaped bowls, are worked into slightly thickened<br />
triangular ridges. Both round and oval bowls<br />
have symmetrically rounded bottoms and frequently<br />
have distinctive shoulders. With or without a shoulder,<br />
<strong>the</strong> sides <strong>of</strong> <strong>the</strong>se bowls invariably curve<br />
inwards towards <strong>the</strong> rim so that <strong>the</strong> opening is<br />
smaller than <strong>the</strong> greatest diameter. A vessel <strong>of</strong> this<br />
shape is commonly referred to as a carinated bowl.<br />
Carination is an angular bending used to turn pots<br />
sharply inwards or create a constricted mouth with<br />
inward-curving shoulders.<br />
<strong>The</strong> bowls were made for several purposes: some<br />
were used for cooking and serving and o<strong>the</strong>rs as eating vessels. O<strong>the</strong>rs were<br />
specifically made for sniffing during zemí worship. Some bore complex<br />
designs and are thought to have been used for preparation <strong>of</strong> food during a ritual<br />
or as a burial <strong>of</strong>fering. O<strong>the</strong>r pottery items include bottles, effigy vessels,<br />
carafes, funerary urns and buréns for baking cassava bread. <strong>The</strong> functions <strong>of</strong><br />
<strong>the</strong>se vessels, however, do not appear to have a strict morphological correlation.<br />
Many types <strong>of</strong> vessels were smoo<strong>the</strong>d on <strong>the</strong> outside, indicating <strong>the</strong>ir use<br />
as cooking pots. Variations in depth suggest possible differences in function.<br />
Taíno potters also made body stamps. <strong>The</strong> Taínos did not wear much clothing;<br />
instead <strong>the</strong>y decorated <strong>the</strong>ir bodies with designs using pottery stamps<br />
coated with red, white and black pigments obtained from plants and coloured<br />
clays.<br />
We believe that <strong>the</strong> most intricate objects were made by women who were<br />
receptive to new ideas, drawing on traditions from <strong>the</strong>ir own society and fusing<br />
<strong>the</strong>m with elements <strong>of</strong> <strong>Jamaican</strong> life into something unique. <strong>The</strong><br />
autochthonous Taíno people sought out influences from <strong>the</strong> environment that<br />
would lead <strong>the</strong>m through to <strong>the</strong>ir own creative trajectory.<br />
Figure 10.3 Round<br />
vessel. (Institute <strong>of</strong><br />
Jamaica Collection.)<br />
Surface Decoration<br />
<strong>The</strong> most distinguishing feature <strong>of</strong> Taíno pottery is its surface decoration,<br />
which incorporated incising, punctuation, modelling and o<strong>the</strong>r techniques<br />
to produce designs <strong>of</strong> parallel and curved lines, spirals, cross-hatching and<br />
J AMAICAN TAÍNO P OTTERY<br />
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