The Old Testament and Christian Spirituality - International Voices in ...
The Old Testament and Christian Spirituality - International Voices in ...
The Old Testament and Christian Spirituality - International Voices in ...
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140 <strong>The</strong> <strong>Old</strong> <strong>Testament</strong> <strong>and</strong> <strong>Christian</strong> <strong>Spirituality</strong><br />
Kentucky, just outside C<strong>in</strong>c<strong>in</strong>nati, Ohio. <strong>The</strong> purpose of this visit,<br />
as had been arranged with its proprietors <strong>and</strong> staff beforeh<strong>and</strong>, was<br />
to come to a first-h<strong>and</strong> underst<strong>and</strong><strong>in</strong>g of the Museum <strong>and</strong> the<br />
message(s) it seeks to convey; to adapt Marshall McLuhan’s<br />
famous phrase: a museum is a message. 2 Museums too are a form<br />
of mass communication, set up with great effort <strong>in</strong> order to say<br />
someth<strong>in</strong>g. 3 <strong>The</strong>y are more static <strong>and</strong> with a more limited direct<br />
range of contact than the popular mass media of our time, such as<br />
the newspaper <strong>and</strong> television, but as cultural deposits they are<br />
more durable 4 <strong>and</strong> are certa<strong>in</strong>ly more impos<strong>in</strong>g dur<strong>in</strong>g direct<br />
personal contact, which expla<strong>in</strong>s the cont<strong>in</strong>ued existence of this<br />
mass medium <strong>in</strong> a culture given to economy <strong>and</strong> fleet<strong>in</strong>gness.<br />
To come to an underst<strong>and</strong><strong>in</strong>g of the message(s) of the Creation<br />
Museum <strong>and</strong> the way it conveys such was, <strong>in</strong> the mode of the<br />
anthropologist, 5 the purpose of my visit. Based on extensive prior<br />
read<strong>in</strong>g which resulted <strong>in</strong> a loosely structured <strong>in</strong>terview schedule<br />
of open questions, meet<strong>in</strong>gs were held with managerial, creative,<br />
<strong>and</strong> academic staff members employed at the Museum, with<br />
further impressions ga<strong>in</strong>ed from impromptu <strong>in</strong>formal discussions<br />
with visitors to the Museum. Extensive notes were taken of the<br />
milieu, the Museum’s official personal <strong>and</strong> video presentations,<br />
<strong>and</strong> of the bookstore, with copies of the DVDs, read<strong>in</strong>g material<br />
<strong>and</strong> a regular newsletter distributed by the Creation Museum (or<br />
more accurately, by its parent company, Answers <strong>in</strong> Genesis—<br />
www.answers<strong>in</strong>genesis.org) further <strong>in</strong>form<strong>in</strong>g my observations.<br />
2 M. McLuhan, Underst<strong>and</strong><strong>in</strong>g Media: <strong>The</strong> Extensions of Man (2d ed.; Toronto:<br />
Signet Books, 1964); cf. J. Marchessault, Marshall McLuhan. Cosmic Media<br />
(London: SAGE, 2005), 164.<br />
3 Cf. A. L. Jones, “Explod<strong>in</strong>g Canons: <strong>The</strong> Anthropology of Museums,” Annual<br />
Review of Anthropology 22 (1993): 201–20; J. Haas, “Power, Objects, <strong>and</strong> a<br />
Voice for Anthropology,” Current Anthropology 37 (1996): 1–22.<br />
4 Cf. Lombaard, “Fleet<strong>in</strong>gness <strong>and</strong> Media-ted Existence,” 17–29.<br />
5 Cf. B. Morris, Religion <strong>and</strong> Anthropology. A Critical Introduction (Cambridge:<br />
Cambridge University Press, 2006), 1–13.