critical analysis of the absence of interior - Bilkent University

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1. INTRODUCTION The need of an interior space first emerged in prehistoric times to meet primary human needs of getting warm, sleeping and eating. Despite this fact, the profession of interior architecture has not been recognized for centuries. Until the twentieth century, architects, engineers, builders, joiners, plasterers, textile designers, fine artists and furniture designers had advised on the arrangement of the interiors rather than interior architects (Massey, 2001). Interior architecture first appeared as the continuum of interior decoration. With the improving needs of society, interior decoration became a profession called interior design. Interior design can be defined as “a multi-faceted profession in which creative and technical solutions are applied within a structure to achieve a built interior environment” (NCIDQ, 2004). However, there is still a distinction between interior architecture and interior design. Interior architecture has strong links with architecture. Interior architecture is composed of design choices embedded within the building inside as well as out, and as such must be housed within the practice of architecture and professional architectural services (Hildebrant, 2004). Although the design processes of interior architecture and interior design share the same procedural sequence and a core discipline vocabulary; interior design, both as a discipline and in its product, is free of the weight of the interior architecture (Hildebrant, 2004). 1
Through the history, interior spaces were considered as an inseparable part of the entire structure and most of the time they were designed by architects. Also, architectural movements and styles of the time affected interior designers and design applications. In the twentieth century, influenced by architecture, interior architectural professionals presented two different approaches (Tate & Smith, 1986); those closely followed historical traditions of the past and those who explored innovation and invention. The second approach was carried by the works of Frank Lloyd Wright (1867-1959) who was considered to be the pioneer of modern interiors since he was the first to develop “interpenetration of interior and exterior space” (Tate & Smith, 1986, p. 265). Wright’s unifying approach of interior and exterior is significant in interior architecture’s emerging as a new specialized branch within architecture (Demirbaş, 2001). The emergence of interior architecture as an independent discipline may seem recent when compared to the history of architecture, yet it had a strong impact. The communication and interaction between the two disciplines are dense and close. Interior architecture borrows a lot from architecture, such as its terminologies, theories and styles. Interior architecture also makes use of architectural software. In education and practice, interior architecture generally uses software comprising operations related to a large spectrum of architectural design activities. 2
Page 1 and 2: PROPOSAL FOR A SOFTWARE MODEL BASED
Page 3 and 4: ABSTRACT PROPOSAL FOR A SOFTWARE MO
Page 5 and 6: ACKNOWLEDGEMENTS Foremost, I would
Page 7 and 8: 2.4 CAAD Software used in Interior
Page 9 and 10: LIST OF TABLES Table 3.1 Comparison
Page 11 and 12: Table 4.5 ‘Other’ features of t
Page 13 and 14: Figure 3.16 Distribution of satisfa
Page 15: Figure 3.45 Percentage distribution
Page 19 and 20: individual packages. Yet, an agreem
Page 21 and 22: are chosen for their different purp
Page 23 and 24: graphics of the old computer system
Page 25 and 26: group supports the use of CAAD soft
Page 27 and 28: ‘building information modeling’
Page 29 and 30: in ‘parametric modeling’ is non
Page 31 and 32: fields, such as; architecture, engi
Page 33 and 34: 2.4.1.1 AutoCAD AutoCAD is a full-f
Page 35 and 36: plugged into the software. Nonethel
Page 37 and 38: Due to the limited information abou
Page 39 and 40: take 2D drawing printouts, one has
Page 41 and 42: There are available plug-ins, objec
Page 43 and 44: 3. CRITICAL ANALYSIS OF CAAD SOFTWA
Page 45 and 46: 3D objects include ‘planes’,
Page 47 and 48: out the plan view of the object int
Page 49 and 50: Further parts of this study also ex
Page 51 and 52: Table 3.2 Comparison of ‘transfor
Page 53 and 54: Next feature is related to ‘rende
Page 55 and 56: in this section are based on the sa
Page 57 and 58: Table 3.7 Comparison of ‘transfor
Page 59 and 60: Table 3.9 Comparison of ‘renderin
Page 61 and 62: Table 3.11 Comparison of features i
Page 63 and 64: 3.2.1.2 Questionnaire Based on the
Page 65 and 66: Although 25% of students does not u
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Figure 3.6 Percentage distribution
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A typical architectural project pro
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Furthermore, in the conceptual desi
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Table 3.15 Reasons of discontent fo
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Table 3.16 Reasons for utilizing a
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Initially, students are questioned
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After confirming the necessity for
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68 Figure 3.22 Distribution of pref
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Table 3.18 Students’ needs in ter
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Among all of the features and attri
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• Although students acknowledged
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of interviewees are specialized in
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the number of professionals using a
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Table 3.21 Reasons for discontent f
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Table 3.22 Reasons for utilizing a
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Table 3.25 emphasizes the insuffici
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Moreover, unlike students, professi
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94 Figure 3.44 Distribution of pref
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The quality attributes derived from
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The findings of the interviews that
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4. PROPOSED MODEL This chapter intr
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4.1 Features of the Proposed Model
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Table 4.1 ‘Drawing’ features of
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Next, in ‘view’ feature analysi
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Table 4.5 ‘Other’ features of t
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Table 4.6 ‘Ease of use’ attribu
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Finally there exist, some quality a
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Besides, the model introduces a new
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model should integrate these requir
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commonly used interior architectura
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BIBLIOGRAPHY 3D Animation Glossary.
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Kurman, D. (1998). Sculptor - How t
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APPENDICES 124
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A.1 Questionnaire Full Name : .....
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14) Would you be interested if you
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7) In the project development phase
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APPENDIX B 132
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B.2 Some Examples of Interior Archi
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5. A sample bathroom drawing produc
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LIST OF TERMS Add Operation Unifies
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Layering An operation that helps to
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Transformation The process by which
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