critical analysis of the absence of interior - Bilkent University
critical analysis of the absence of interior - Bilkent University
critical analysis of the absence of interior - Bilkent University
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group supports <strong>the</strong> use <strong>of</strong> CAAD s<strong>of</strong>tware and its benefits, while <strong>the</strong> o<strong>the</strong>r group<br />
thinks <strong>the</strong> CAAD s<strong>of</strong>tware is not useful during project design. Woodward and Howes<br />
(1997) support <strong>the</strong> use <strong>of</strong> CAAD s<strong>of</strong>tware in architecture and mention benefits <strong>of</strong><br />
CAAD s<strong>of</strong>tware which include <strong>the</strong> following issues;<br />
Drawings can be prepared more quickly with <strong>the</strong> computers and <strong>the</strong><br />
information loaded on a single computer drawing contains more information<br />
than a hand drawn one could. Fur<strong>the</strong>rmore, computers provide a more<br />
systematic way <strong>of</strong> working, <strong>the</strong> paper print <strong>of</strong> a drawing produced with a<br />
computer may look more elegant and detailed than any drawing produced by<br />
hand could be. Lastly, <strong>the</strong> files <strong>of</strong> drawings can more easily and more quickly<br />
be sent to consultants or contractor than its paper counterpart could be (p.91).<br />
Ano<strong>the</strong>r group <strong>of</strong> researchers think that CAAD s<strong>of</strong>tware is unbeneficial in<br />
architectural design as Turk (2001). Turk stated four reasons for unbeneficial use <strong>of</strong><br />
CAAD s<strong>of</strong>tware in some design projects:<br />
First, in terms <strong>of</strong> representation, <strong>the</strong> predetermined computer objects limits<br />
designers’ creativeness. Second, in terms <strong>of</strong> situatedness, designers’ being in<br />
an “artificial world” affects <strong>the</strong> designers’ perception in a negative way.<br />
Third, in terms <strong>of</strong> communication, computers restrict <strong>the</strong> information flow<br />
between <strong>the</strong> actors in <strong>the</strong> design process. And last, in terms <strong>of</strong> particularism<br />
and holism, it is hard to get design parts as a whole on <strong>the</strong> computer.<br />
Even though computers and CAAD s<strong>of</strong>tware have lead to different discussions,<br />
computer use has increased within <strong>the</strong> past few years and different CAAD s<strong>of</strong>tware<br />
were developed for various purposes <strong>of</strong> use in architecture.<br />
2.2 Use <strong>of</strong> CAAD S<strong>of</strong>tware in Architecture<br />
In architecture and <strong>interior</strong> architecture, CAAD s<strong>of</strong>tware are used for several<br />
purposes, such as; documentation, specification writing, drafting, two dimensional<br />
drawing (2D), three dimensional (3D) modeling, animation, etc. (Coyne, 1992). Until<br />
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