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Dance Mapping - Arts Council England

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• the lack of dance specialists with QTS available to carry out the work<br />

• the positioning of dance within PE departments where teachers are not dance<br />

specialists<br />

• the introduction of dance into the new primary school curriculum.<br />

It is unfortunate that this unprecedented growth in dance provision is occurring at a time when<br />

formal training for specialist dance teachers is being cut. The places for initial teacher training<br />

(ITT) in dance grew in 2004/05 and 2005/06 but have since been cut. 55<br />

ITT PLACES<br />

<strong>Dance</strong> PE<br />

03/04 37 1469<br />

04/05 70 1412<br />

05/06 82 1377<br />

06/07 72 1243<br />

07/08 61 +24 1114 -355<br />

Table 50: Initial teacher training places<br />

The implications of much of this for the market place is of great significance to this <strong>Dance</strong><br />

mapping research as it suggests that the market demand is for a very particular kind of<br />

workforce, those that can teach and lead workshops in a wide range of formal and<br />

informal settings. Future strategies for dance will need to consider this considerable<br />

growth area both in terms of workforce development and progression routes for young<br />

people into dance.<br />

The environmental analysis suggested that there is strong evidence that there is a mismatch<br />

between supply and demand in relation to the dance workforce. Existing training does not<br />

appear to be providing the workforce required within the field.<br />

4. Training and development<br />

<strong>Dance</strong> training has changed and evolved over the past 80 years but since the 1960’s training<br />

opportunities have grown exponentially. Research carried out by Bates (2008) stated:<br />

55 Source: Teacher Development Agency (TDA) website<br />

138

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