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Dance Mapping - Arts Council England

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The survey of venues received 61 responses from a mixed group of venues (see analysis in<br />

Part Four – Economy).<br />

Some of the comments concerning the work are set out below:<br />

• ‘There is a need to raise the profile of dance and dance theatre for children and<br />

family audiences, and to encourage those venues who are committed to developing<br />

this area of work by opportunities for joint commissioning and working with leading<br />

choreographers to inspire new dance-makers for this important area of work.’<br />

• ‘<strong>Arts</strong> <strong>Council</strong> <strong>England</strong> should continue developing the regularly funded organisations’<br />

portfolio to give venues and audiences the breadth of dance they want, perhaps by<br />

reducing the number of tours and touring dates required from each company.’<br />

• ‘Find ways to engage audiences through using the high-quality video footage that<br />

dance companies often have available, and which sells their work more effectively<br />

than traditional print mediums.’<br />

• ‘Ensure companies are well-equipped to tour on the middle and large scale, without<br />

necessarily having to fund them to have permanent marketing, education and<br />

technical staff.’<br />

• ‘Allow companies room to take risk and fail, without having to tour work which is less<br />

successful.’<br />

• ‘Focus on dance quality rather than technical innovation and spectacle, which is<br />

making dance increasingly unaffordable outside major city venues. Learn to dance<br />

again without talking and/or audio-visual support!.’<br />

• ‘Embrace full range of dance styles rather than elitist focus on the most “cutting edge”<br />

contemporary work.’<br />

• ‘Regional companies are being funded for social/political reasons and not because<br />

there is proven demand from venues for their work; sometimes the work we would<br />

most like to present can't get funding.’<br />

• ‘There is a lack of small-scale quality dance work.’<br />

242

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