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Dance Mapping - Arts Council England

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Table 28 shows the average expenditure from 2005–2008. There is a small increase in dance<br />

expenditure in 2007/8 against a decrease in arts budgets and total spend on the arts. In-kind<br />

support has also decreased.<br />

The questionnaire asked respondents to identify levels of expenditure on relevant activites<br />

linked to dance activity. The lowest expenditure is on dance companies. The highest level of<br />

direct expenditure on dance includes spend on dance agencies, although only 40% of<br />

respondents spent in this area, whereas 66% spent an average of just under £7,000 on youth<br />

dance. The high spend on ‘Other’, by 36.7% of respondents of £47,700 includes professional<br />

development, older people, community arts, co-ordination and evaluation of programmes.<br />

Although the trends show an increase in expenditure on dance against a total arts budget, it<br />

is difficult to generalise as the sample is not sufficiently broad due to the absence of the<br />

higher spending metropolitan authorities.<br />

The illustration below demonstrates how one local authority invests in dance:<br />

Birmingham City <strong>Council</strong><br />

Birmingham City <strong>Council</strong> invests significantly in the arts and cultural infrastructure of the city<br />

with an overall arts budget of £10.5 million. <strong>Dance</strong> plays a significant part in this infrastructure<br />

with five out of the ten large-scale organisations presenting or receiving dance (mac, sampad,<br />

The Drum, BRB and <strong>Dance</strong>Xchange). Sampad have an international reputation for bringing<br />

international Indian dance artists to Birmingham and encouraging through their Summer<br />

Intense programmes links with Canada, USA and India for the next generation of dancers and<br />

choreographers. The council set up a <strong>Dance</strong> Hub initiative in 2005, to bring together all the<br />

dance providers to look at issues of common interest, as there has been a long-held<br />

aspiration to create a continuum for dance in the city, which has to a large extent been<br />

realised. The large-scale <strong>Dance</strong> Consortium regularly presents international companies and<br />

the innovative Breakin’ Convention tour in the Birmingham Hippodrome is developing new<br />

audiences for dance. The Birmingham Hippodrome is the home to Birmingham Royal Ballet<br />

and <strong>Dance</strong>Xchange, who form a powerhouse for dance and together they programme the<br />

biennial International <strong>Dance</strong> Festival. Elmhurst Ballet School with prime studios and small-<br />

scale theatre, together with BRB, <strong>Dance</strong>xchange and mac, all provide Birmingham with<br />

excellent state of the art dance studios and performance spaces, which are the best outside<br />

London.<br />

The International <strong>Dance</strong> Festival of 2008 was funded by Birmingham City <strong>Council</strong>, Advantage<br />

West Midlands and <strong>Arts</strong> <strong>Council</strong> <strong>England</strong> and was produced and programmed by<br />

<strong>Dance</strong>Xchange and Birmingham Hippodrome for the first time in May 2008. Over the course<br />

96

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