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Dance Mapping - Arts Council England

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Some fluctuations may occur to these figures as companies may not create work each year,<br />

but there is a general trend in the reduction of funds available for the artistic programme as<br />

other company costs increase.<br />

3. The distribution/touring picture<br />

A consultation document has recently been published that seeks to create a new framework<br />

for touring – Towards a performing arts touring strategy for <strong>Arts</strong> <strong>Council</strong> <strong>England</strong> – a<br />

discussion paper. The paper gives an overview of the development of a new strategy for<br />

performing arts touring, listing questions for the consultation exercise. It refers to the<br />

McMaster report that recommended that, ‘a new way forward be found that reclaims a<br />

strategic approach to touring, while exploiting the regional structures created by the <strong>Arts</strong><br />

<strong>Council</strong> <strong>England</strong>’s reorganisation.’<br />

A touring definition was shaped by Graham Marchant in 1992. He defined touring as: ‘a group<br />

activity which takes place in more than two venues presenting the same artists and<br />

programme as part of a pre-arranged schedule’. Within the Grants for the arts funding<br />

programme, national touring projects are defined as, ‘where the same work is presented in<br />

three or more …regions’. An expansion of this definition, recognising the use of alternative<br />

and outdoor spaces, could state that it is:<br />

‘A group activity which takes place more than two spaces presenting the same artists and<br />

programme as part of a pre-arranged schedule.’ It is within the context of continuing<br />

discussions around performing arts touring that the <strong>Dance</strong> mapping research is being carried<br />

out. Some of the issues for touring were laid out in the introductory section of this research.<br />

What appears to have occurred during the hiatus in touring is that dance has begun to devise<br />

its own networks to support both national and international touring.<br />

Distribution/touring initiatives<br />

There have been three initiatives to support touring that have made a significant difference to<br />

the venues and the companies that these schemes ultimately support. These are the National<br />

<strong>Dance</strong> Co-ordinating Committee (NDCC), <strong>Dance</strong> Touring Partnership and the <strong>Dance</strong><br />

Consortium. Rural Touring Schemes add a further dimension to opportunities for small-scale<br />

touring and development. These schemes are very county-specific, such a Cheshire which<br />

has a strong scheme and Highlights, in the North Pennines – used as an example below<br />

The National <strong>Dance</strong> Co-ordinating Committee (NDCC) 33 was set up to look particularly at<br />

ballet touring and to avoid clashes of touring dates and repertoire over a season. Originally<br />

set up and managed by <strong>Arts</strong> <strong>Council</strong> <strong>England</strong>, it is now run by the ballet companies<br />

33 NDCC in partnership with Equifax -Theatre Interactions -Ticket Buyer Crossover Analysis for Large Scale <strong>Dance</strong><br />

Performances. Work in Progress. A report is to be published in June 2009<br />

82

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