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Balkan Idols: Religion and Nationalism in Yugoslav States

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movie, starr<strong>in</strong>g Mart<strong>in</strong> Sheen as Father Jozo Zovko, Michael York as Zovko’s<br />

lawyer Milan Vuković, Morgan Fairchild as Sister Fafijana Zovko, <strong>and</strong> Frank<br />

F<strong>in</strong>lay as the Bishop Z ˇ anić, was shown with modest success <strong>in</strong> the United<br />

<strong>States</strong>, western Europe, <strong>and</strong> elsewhere. In the movie, the Croats are portrayed<br />

as pious <strong>and</strong> peaceful Catholics eager to jo<strong>in</strong> the Western democratic<br />

world but prevented from that <strong>and</strong> oppressed by Orthodox Serbs <strong>and</strong> communists.<br />

Herzegov<strong>in</strong>ian Franciscans were featured as good shepherds admired<br />

by their flocks so that the local bishop (a negative character <strong>in</strong> the<br />

movie) envies them. The Madonna, <strong>and</strong> the whole of Medjugorje, were,<br />

paradoxically, presented as forces of peace <strong>and</strong> freedom. In the meantime,<br />

the Madonna of Medjugorje had clearly affected Catholic-Orthodox relations<br />

negatively <strong>and</strong> disrupted stability <strong>in</strong> the vulnerable multiethnic Bosnia-<br />

Herzegov<strong>in</strong>a. The Medjugorje apparitions of the 1980s were not a “peace<br />

<strong>and</strong> prayer movement,” as the Western media stubbornly reiterate, but a<br />

prelude to partition, war, <strong>and</strong> genocide <strong>in</strong> Bosnia-Herzegov<strong>in</strong>a.<br />

122 balkan idols

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