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Balkan Idols: Religion and Nationalism in Yugoslav States

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1998 described earlier. The old myths were recently re<strong>in</strong>vented to <strong>in</strong>corporate<br />

re<strong>in</strong>terpretations of the past <strong>and</strong> constructions of histories of the <strong>Yugoslav</strong><br />

state, World War II, the Cold War, <strong>and</strong> the recent <strong>Balkan</strong> wars suitable<br />

to the mythmakers <strong>and</strong> new relations of power <strong>in</strong> the successor states. The<br />

two versions of the Deep Roots Myth today constitute the bases for two<br />

official national patriotic historiographies <strong>in</strong> Croatia <strong>and</strong> Serbia.<br />

In sum, architects of the Deep Roots Myth have labored to create a “visible”<br />

l<strong>in</strong>k between ancient ethnic communities <strong>and</strong> nation-states founded<br />

after the collapse of communism <strong>and</strong> dis<strong>in</strong>tegration of the former <strong>Yugoslav</strong>ia.<br />

Their favorite word is “tradition,” which they perceive as someth<strong>in</strong>g<br />

immutable <strong>in</strong> ever-chang<strong>in</strong>g history, created centuries ago yet somehow<br />

com<strong>in</strong>g to us <strong>in</strong>tact <strong>and</strong> unaltered. As they make people conscious of these<br />

allegedly immutable th<strong>in</strong>gs that resisted the power of historical change <strong>and</strong><br />

<strong>in</strong>vite the people to “wake up” <strong>and</strong> “return” to their “genu<strong>in</strong>e” identities,<br />

their chief aim is to profoundly alter the current situation <strong>in</strong> the society,<br />

culture, economy, government, identity, <strong>and</strong> mentality of the people. In other<br />

words, ethnic nationalists say that noth<strong>in</strong>g has changed s<strong>in</strong>ce the Middle<br />

Ages <strong>in</strong> order to change everyth<strong>in</strong>g today.<br />

Second, the Serbian Orthodox Church, assisted by Serb nationalist <strong>in</strong>tellectuals,<br />

has constructed the Jerusalem Myth. The myth draws from the<br />

established Kosovo myth while also borrow<strong>in</strong>g from the immensely <strong>in</strong>fluential<br />

post-1945 histories, narratives, <strong>and</strong> uses of the Holocaust, the state<br />

of Israel, <strong>and</strong> the Jews. The Serbian Church consecrated two national “sacred<br />

centers”—sites of Serbian glory <strong>and</strong> martyrdom located <strong>in</strong> Kosovo (the<br />

Kosovo battlefield <strong>and</strong> medieval shr<strong>in</strong>es) <strong>and</strong> <strong>in</strong> northern Croatia (Jasenovac).<br />

The myth was symbolically <strong>in</strong>augurated between 1984 <strong>and</strong> 1989 by<br />

commemorations at Jasenovac <strong>and</strong> Gazimestan <strong>and</strong> consolidated between<br />

1998 <strong>and</strong> 2000 by the canonization of eight Serbian martyrs or “new<br />

sa<strong>in</strong>ts,” victims of the Jasenovac concentration camp who thus jo<strong>in</strong>ed the<br />

army of Serbian sa<strong>in</strong>ts who reside <strong>in</strong> the mythical Heavenly Serbia. The<br />

myth prepared the ground for Serbian ethnic cleans<strong>in</strong>g <strong>in</strong> Croatia, Bosnia-<br />

Herzegov<strong>in</strong>a, <strong>and</strong> Kosovo. It generated the lust for revenge <strong>and</strong> justified<br />

crimes committed by Serbs dur<strong>in</strong>g the <strong>Balkan</strong> wars of the 1990s. The last<strong>in</strong>g<br />

function of the Jerusalem Myth will be to boost national pride <strong>and</strong> cohesion,<br />

strengthen the status of the Serbian Orthodox Church as partner <strong>in</strong> the<br />

national leadership, <strong>and</strong> secure Jewish sympathies for the Serbs. In addition,<br />

the myth’s future functions <strong>in</strong>clude undo<strong>in</strong>g the Serbian territorial losses <strong>in</strong><br />

Kosovo <strong>and</strong> <strong>in</strong> Croatia, ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g a perpetual stigma aga<strong>in</strong>st Croats, Albanians,<br />

<strong>and</strong> Muslims, <strong>and</strong> creat<strong>in</strong>g a symbolic rally<strong>in</strong>g po<strong>in</strong>t for another<br />

national awaken<strong>in</strong>g <strong>and</strong> possible Serbian reconquest of the lost territories.<br />

The <strong>Balkan</strong> version of the Jerusalem Myth is an archetypal myth. It<br />

evolved from archetypal civilizational myths such as the Myth of Lost Jerusalem<br />

<strong>and</strong> the Myth of Lost Paradise <strong>and</strong> the “Eternal Return,” phrases<br />

familiar to students of myth <strong>and</strong> identified by Mircea Eliade as progenitors<br />

of myths that occupy a pivotal place <strong>in</strong> all religions. 39 The Jerusalem Myth<br />

228 balkan idols

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