october-2012
october-2012
october-2012
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SYMPHONY IN BLUE<br />
The Baroque and Blue quartet skew the boundaries of music, mixing<br />
up jazz and classical to form the virtuoso style known as ‘crossover’<br />
Music brings people<br />
together. The Baroque<br />
and Blue quartet<br />
brings plenty of other elements<br />
together too – baroque and jazz,<br />
virtuoso performance and fun<br />
improvisation, and artistic skill<br />
and sheer entertainment. Their<br />
mix of jazz and classical draws<br />
an audience with very diverse<br />
expectations; some arrive<br />
sceptical but leave surprised and<br />
enthusiastic.<br />
The quartet’s history began<br />
in 2005 on a cruise liner bound<br />
for Norway. Christiane<br />
Meininger and her trio had been<br />
hired to entertain classical<br />
music fans on board with pieces<br />
by Haydn and Weber; Roger<br />
Goldberg and the Semper House<br />
Band were there to play for the<br />
jazz enthusiasts.<br />
‘We realised pretty quickly<br />
that we could do something<br />
together,’ says Meininger<br />
brightly. ‘We hit it off straight<br />
away. We’re both curious and<br />
enthusiastic people.’<br />
The band’s style is<br />
‘crossover’, a combination of<br />
classical and jazz that has<br />
grown in popularity since the<br />
sixties. The ensemble took its<br />
name from a composition by<br />
Claude Bolling, one of the most<br />
famous exponents of the genre,<br />
alongside Jacques Louissier.<br />
Baroque and Blue take classical<br />
compositions and give them a<br />
contemporary feel. On their<br />
recordings, structured and<br />
controlled classical music<br />
embraces the unexpected<br />
elements of jazz, and jazz is in<br />
turn infused with the virtuoso<br />
language of classical music.<br />
The line-up places jazz<br />
musicians Roger Goldberg<br />
(bass) and Enno Lange (drums)<br />
alongside chamber musicians<br />
Christiane Meininger (fl ute) and<br />
Rainer Gepp (piano). Meininger<br />
and Gepp have been performing<br />
together for 12 years: she is an<br />
experienced ensemble director<br />
who devises imaginative concert<br />
programmes with her trio of<br />
fl ute, cello and piano, and enjoys<br />
a solid reputation on the<br />
classical music scene; pianist<br />
Gepp is a soloist and respected<br />
chamber musician who<br />
frequently tours Europe and the<br />
US. ‘It was a big challenge,<br />
getting into the jazz world as a<br />
classical musician,’ says Gepp,<br />
‘but it was worth it.’<br />
His dedication seems to have<br />
paid off . ‘You can’t really tell the<br />
diff erence between Gepp and a<br />
professional jazz pianist any<br />
more,’ says Goldberg, a jazz and<br />
contemporary music expert,<br />
who completed a degree in<br />
violin and viola and went on to<br />
study double bass and bass<br />
guitar. He subsequently toured<br />
Europe as a big-band bassist,<br />
performing with stars like Katja<br />
Ebstein, Max Gregor and<br />
Caterina Valente, and taught<br />
jazz, rock and pop double bass<br />
at the Musikhochschule in<br />
Dresden. Goldberg also plays in<br />
the famous Micha Fuchs Band<br />
and performs regularly with<br />
Gunther Emmerlich and the<br />
Semper House Band.<br />
Drummer and percussionist<br />
Enno Lange studied jazz, rock<br />
and pop in Dresden, and has<br />
been working as a musician and<br />
music teacher since 2006. You<br />
can hear him demonstrate his<br />
musical versatility on various<br />
releases, including albums by<br />
the Top Dog Brass Band and The<br />
Shy Boys.<br />
The four bandmates live in<br />
Cologne and Dresden, and<br />
commute for rehearsals on lowcost<br />
Germanwings fl ights. They<br />
get practice space for free in the<br />
Theaterkahn which, somewhat<br />
symbolically, faces both the<br />
Semper Opera and the legendary<br />
jazz club, Tonne.<br />
Top-rank composers from all<br />
over the world have written<br />
pieces for the band, including<br />
the high-profi le Australian<br />
D R E S D E N<br />
Elena Kats-Chernin and Alan<br />
Weinberg from the USA.<br />
Germany’s Rainer Lischka<br />
wrote a piece called Wendungen<br />
(Twists) for them. Another of his<br />
compositions, the humorous<br />
Der springende Punkt (The Crux<br />
of the Matter) inspired metal<br />
sculptor Karl Günter Wolf ’s<br />
work and set off an artistic<br />
collaboration.<br />
The piece was performed by<br />
Baroque and Blue at his private<br />
view, and in return the artist<br />
designed the cover of their<br />
debut CD, Silver Poetry. It seems<br />
Baroque and Blue don’t just do<br />
crossover in music.<br />
In October WDR and NCA<br />
release Baroque and Blue’s new CD,<br />
Handel’s Delight. The quartet also<br />
has another release in the pipeline:<br />
interpretations of the Americana<br />
suite by Alan Weinberg and<br />
Wendungen by Rainer Lischka<br />
GW—101