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A CRIMINAL HISTORY OF MANKIND

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strong ... And Myra, who regards him as a brilliant intellectual (he is learning German to be able to<br />

read Mein Kampf in the original), swallows it all - without enthusiasm, but with the patience of the<br />

devoted slave who knows that her master is seldom wrong.<br />

How can he push her further, savour his dominance? He tells her he is planning a bank robbery, a<br />

big job. She is shocked - at first - then, as usual, she accepts it as further evidence of his<br />

resourcefulness and self-reliance. He persuades her to join a rifle club and buy a gun.<br />

He begins to take a popular photography magazine and buys a camera with a timing attachment. He<br />

persuades her to dress in black panties without a crotch and pose for photographs. Then the timing<br />

attachment allows him to take photographs of the two of them together, navel to navel, engaged in<br />

sexual intercourse - with white bags over their heads. In others, she has whip marks on her<br />

buttocks. Brady apparently hoped to sell the photographs (for these were the days before<br />

pornography could be bought in most newsagents) but was apparently unsuccessful.<br />

At this stage, there is only one possible way in which Brady can push her further into total<br />

acquiescence: by finally putting the daydreams of crime into practice and ordering her to be his<br />

partner. But bank robbery is a little too dangerous. In fact, most crime carries the risk of being<br />

caught. Perhaps the crime that carries least risk is the kind committed by Leopold and Loeb: luring<br />

a child into a car...<br />

Myra Hindley bought a small car - a second-hand green Morris - in May 1963, having taken driving<br />

lessons. (Brady had given up his motor cycle after an accident.) Two months later, on 12 July 1963,<br />

a sixteen-year-old girl named Pauline Reade, who lived around the corner from Myra and knew her<br />

by sight, vanished on her way to a dance and was never seen again. When police began<br />

investigating the moors murders, they started with the file on Pauline Reade. It seemed probable<br />

that she had been picked up by a car. Since she was unlikely to get into a car with a strange man, it<br />

may have contained someone she knew. The disappearance of the body suggests that she was<br />

buried - and casual rapists seldom bother to bury a body. It is conceivable then, that Pauline Reade<br />

was their first victim.<br />

On Saturday afternoon, 23 November, they drove out to Ashton-under-Lyne and offered a lift to a<br />

twelve-year-old boy, John Kilbride, who was about to catch a bus home. He climbed in and was<br />

never again seen alive. Nearly two years later, his corpse was dug up by police on Saddleworth<br />

Moor. His trousers and underpants had been pulled down around his knees. Myra Hindley had<br />

allowed Brady to take a photograph of her kneeling on the grave.<br />

On 16 June 1964, twelve-year-old Keith Bennett set out to spend the night at his grandmother’s<br />

house in the Longsight district of Manchester - where Brady had lived until he moved in with Myra<br />

and her grandmother. Bennett vanished, like Pauline Reade. Brady still visited the Longsight<br />

district regularly to see his mother.<br />

On 26 December 1964, Brady and Hindley drove to the fairground in the Ancoats district of<br />

Manchester and picked up a ten-year-old girl, Lesley Ann Downey. They took her back to their<br />

house - they had now moved to Hattersley, where Gran had been assigned a council house - made<br />

her strip, and took various photographs of her. They also recorded her screams and pleas to be<br />

released on tape. Then she was killed and buried on the moor near the body of John Kilbride. Later,<br />

they took blankets and slept on the graves. It was part of the fantasy of being Enemies of Society,<br />

dangerous revolutionaries.

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