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A CRIMINAL HISTORY OF MANKIND

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most convincing ideas, and many of his disciples received it with reservations - after all, anyone<br />

can see that most suicides are committed in a state of muddle and confusion, in which a person<br />

feels that life is not worth living; so the underlying instinct is for more life, not less. Even a<br />

romantic like Keats, who feels he is ‘half in love with easeful death’, is in truth confusing the idea<br />

of extinction with that of sleep and rest. If human beings really have an urge to self-destruction,<br />

they manage to conceal it very well.<br />

Fromm nevertheless adopts the Freudian death-wish. He cites a Spanish Civil War general, one of<br />

whose favourite slogans was ‘Long live death!’ The same man once shouted at a liberal<br />

intellectual: ‘Down with intelligence!’ From this, Fromm argues that militarism has an anti-life<br />

element that might be termed necrophilia. But he demolishes his own case by citing two genuine<br />

examples of necrophilia from a medical textbook on sexual perversion: both morgue attendants<br />

who enjoyed violating female corpses. One of them described how, from the time of adolescence,<br />

he masturbated while caressing the bodies of attractive females, then graduated to having<br />

intercourse with them. Which raises the question: is this genuinely a case of necrophilia, which<br />

means sexual desire directed towards death? Many highly-sexed teenage boys might do the same,<br />

given the opportunity. It is not an interest in death as such, but in sex. A genuine necrophile would<br />

be one who preferred corpses because they were dead. One of the best known cases of necrophilia,<br />

Sergeant Bertrand (whom I discussed in Chapter 6 of my Origins of the Sexual Impulse} was not,<br />

in this sense, a true necrophile; for although he dug up and violated newly buried corpses, he also<br />

had mistresses who testified to his sexual potency. He is simply an example of a virile man who<br />

needed more sex than he could get.<br />

So Fromm’s whole argument about ‘necrophilia’, and his lengthy demonstration that Hitler was a<br />

necrophiliac, collapses under closer analysis. The Spanish general was certainly not a necrophile by<br />

any common definition: he was using death in a rather special sense, meaning idealistic selfsacrifice<br />

for the good of one’s country. He certainly has nothing whatever in common with a<br />

morgue attendant violating female corpses. Hitler was undoubtedly destructive, but there is no<br />

evidence that he was self-destructive or had a secret death wish. On the contrary, he was a romantic<br />

dreamer who believed that his thousand-year Reich was an expression of health, vitality and sanity.<br />

Fromm’s ‘necrophilia’, like Wells’s notion of cruelty, fails to provide a satisfactory explanation of<br />

human cruelty; it is not universal enough.<br />

The notion of ‘losing face’ suggests an interesting alternative line of thought. It is obviously<br />

connected, for example, with the cruelty of Himmler and Stalin when their absolute authority was<br />

questioned. They were both men with a touchy sense of self-esteem, so that their response to any<br />

suspected insult was vindictive rage. Another characteristic of both men was a conviction that they<br />

were always right, and a total inability to admit that they might ever be wrong.<br />

Himmlers and Stalins are, fortunately, rare; but the type is surprisingly common. The credit for<br />

recognising this goes to A. E. Van Vogt, a writer of science fiction who is also the author of a<br />

number of brilliant psychological studies. Van Vogt’s concept of the ‘Right Man’ or ‘violent man’<br />

is so important to the understanding of criminality that it deserves to be considered at length, and in<br />

this connection I am indebted to Van Vogt for providing me with a series of five talks broadcast on<br />

KPFK radio in 1965. Like his earlier pamphlet A Report on the Violent Male, these have never been<br />

printed in book form.<br />

In 1954, Van Vogt began work on a war novel called The Violent Man, which was set in a Chinese<br />

prison camp. The commandant of the camp is one of those savagely authoritarian figures who

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