24.02.2013 Views

A CRIMINAL HISTORY OF MANKIND

A CRIMINAL HISTORY OF MANKIND

A CRIMINAL HISTORY OF MANKIND

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

that distinguishes him from the brutes, man is a hopeless weakling. It is not surprising that the<br />

Christians laid so much emphasis on Original Sin, man’s innate wickedness; they had the Romans<br />

in front of their eyes as living examples.<br />

These Christians, when they took over Roman civilisation, proved to be very little better. But at<br />

least they transcended Roman pessimism. They returned to a vision that was closer to that of Plato.<br />

Man might not be a god, but at least he had an immortal soul, and could be ‘saved’. Unfortunately,<br />

they insisted that he could only be saved by ceasing to use his mind, and leaving his salvation in the<br />

hands of the Church.<br />

The Muslims were more sensible; their Prophet had nothing against the use of reason. The result<br />

was that science and philosophy eventually came back to Europe as a gift of the Arabs. There<br />

followed the great surge of medieval invention, the revival of learning, the rebirth of science. When<br />

Plutarch taught his contemporaries to appreciate archaeology, he was demonstrating that man can<br />

use the two ‘beams of perception’ simultaneously, that he can look at a broken statue and suddenly<br />

grasp the fact that this was made in Greece nearly two thousand years ago, or in the Rome of<br />

Marius and Sulla.<br />

This new confidence in the power of the human mind reinvigorated science. The results were<br />

spectacular: new knowledge of the heavens, of the laws of nature, of the mechanisms of living<br />

creatures. The men of the eighteenth century had good cause to be proud of human reason and<br />

contemptuous of superstition. Science had transformed human life, and there was every reason to<br />

believe that it would continue to do so. Bacon’s New Atlantis was not really such an impossible<br />

dream.<br />

This was also the period of the rise of the novel - from which we can date our modern age of<br />

violence. There was an increasingly strong feeling that man ought to be free, and that being free<br />

means to do what he likes. Novelists such as Monk Lewis and Maturin explored this theme of<br />

human freedom - and wickedness – with pleasant shivers of apprehension, while de Sade instantly<br />

carried the idea to an extreme that seemed to demonstrate that man is capable of becoming the<br />

wickedest creature alive. But romantics such as Wordsworth, Goethe and Hoffman were<br />

preoccupied with another problem: if man is capable of these breathtaking glimpses of freedom -<br />

what Maslow was to call ‘peak experiences’ - then why do they vanish so quickly? Why can he not<br />

revive them at will? This problem caused a great deal of agonised heart-searching, and was<br />

responsible for the high number of suicides and early deaths among the romantics, who concluded<br />

that life is a cheat.<br />

We can see precisely where they were mistaken. They experienced moments in which the two<br />

‘beams of perception’ became focused, and they felt an overpowering sense of delight and<br />

optimism. In such moments, the old ‘split’ was healed; for a moment, man ceased to be a<br />

‘bicameral’ animal and experienced a new sense of unity - no longer the simple, instinctive unity of<br />

the cow or the drunken man but the intenser unity of a higher level. We could say that he was using<br />

the two modes of perception as stilts that raised him far above most human beings. But, being<br />

unaccustomed to walking on stilts, he soon found himself lying flat on his back, convinced that the<br />

‘glimpse’ had been some kind of delusion.<br />

We have also seen that the nineteenth century was characterised by a surge of pornography. This<br />

could, in fact, be regarded as the underbelly of romanticism. Pornography derives from the<br />

romantic notion that sex is infinitely delightful and infinitely forbidden. We can also see that<br />

pornography is an attempt to achieve ‘objectivity’, a combination of immediacy perception and

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!