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A CRIMINAL HISTORY OF MANKIND

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London’s main gallows - Tyburn, at Hyde Park corner - were usually public holidays. They became<br />

known as ‘gallows days’, which in turn became ‘gala days’. On the day when James Whitney - the<br />

highwayman who resisted capture for an hour - was taken to Tyburn, he was one of eight men who<br />

were sentenced to hang simultaneously on the triangular shaped scaffold that had been erected in<br />

the time of Queen Elizabeth. (The older type, consisting of two uprights and a cross bar, was less<br />

efficient in that it would only hang one or two at a time.) Only seven men were hanged on that<br />

occasion; Whitney was reprieved at the last moment for offering to betray his accomplices.<br />

Whitney was lucky enough to be popular; he was driven back through a cheering crowd with the<br />

rope still round his neck. But he was hanged a week later, having told all he knew.<br />

In 1735, it struck a bookseller named John Osborn that the lively interest excited by criminals could<br />

be turned to his advantage, and he issued three volumes of Lives of the Most Remarkable<br />

Criminals. Pamphlets about famous criminals had been popular since the time of the Elizabethans;<br />

but they usually concerned people in the upper ranks of society and dealt with only one case at a<br />

time. By the time of Osborn, most criminals were ordinary highwaymen, footpads, housebreakers<br />

and pirates. But he recognised that the public had an insatiable appetite for the details of the lives of<br />

the people they loved to see hanged. Almost every one of the Lives, two hundred or so cases,<br />

begins with a moral preamble: ‘It is an observation that must be obvious to all my readers, that few<br />

who addict themselves to robbing and stealing ever continue long in the practice of those crimes<br />

before they are overtaken by Justice...’, and so on. And this was not because Osborn felt the need to<br />

justify himself in publishing tales of crime. It was because he recognised that his readers enjoyed<br />

congratulating themselves that they were not in the hands of the law. The pleasure of watching an<br />

execution was based on the feeling that you were in the crowd, not on the gallows. The public of<br />

Henry Fielding’s day had very little imagination, very little capacity to identify itself with another<br />

person’s suffering. This is why one of the popular entertainments was going to ‘Bedlam’ to laugh<br />

and jeer at the mad people. It would take another century before novelists like Dickens could<br />

persuade people to enjoy putting themselves in the place of the ‘unfortunates’ of society.<br />

The most striking thing about Osborn’s Lives of the Criminals is the utterly commonplace nature of<br />

most of the crimes, and their curious lack of personal interest. We live in an age of personalities, of<br />

gossip columns, of ‘people in the news’. It is true that ninety-five per cent of the crimes that now<br />

take place in London or New York are commonplace and ‘impersonal’. But the remaining five per<br />

cent help to fill scandal sheets with titillating details. We are accustomed to crimes having a strong<br />

‘individual’ interest, the element that makes them suitable for film or television treatment. In<br />

Osborn, not even one per cent of the crimes would be suitable for dramatic treatment.<br />

One of the few possible exceptions is the case of Catherine Hayes, a housewife who conspired with<br />

her two lovers to murder her husband, a retired moneylender. They lived in lodgings not far from<br />

the Tyburn gallows, and Catherine’s relations with her husband were poor - she declared that he<br />

was pathologically mean, which is probably true. A young tailor named Thomas Billings came to<br />

the house and became her lover while her husband was away on business. Soon afterwards, a man<br />

named Thomas Wood moved in and also became her lover. She offered to share her husband’s<br />

fortune of fifteen hundred pounds - a vast sum for those days - with her lovers if they would help<br />

her get rid of John Hayes. They did this one evening in 1725, after all four of them had drunk bottle<br />

after bottle of wine between them. (They were rich enough to drink wine, not gin.) One of the<br />

lovers hit Hayes with a hatchet and fractured his skull. The next problem was to get the body to the<br />

river. Catherine suggested that they cut off the head, so that if they were forced to abandon the<br />

corpse en route, it would be unrecognisable. With a great deal of retching, the two men sawed off

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