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204<br />

HISTORY OF THE ROSICRUCIANS.<br />

their company, and their wives and daughters are seldom<br />

visible. They transcend all the others in beauty, for they<br />

are natives of a purer element." l<br />

III. In the third place, the Eosicrucian manifestoes con-<br />

tain the doctrine of the signatura rerum, which again is of<br />

Paracelsian origin. This is the " magical writing " referred<br />

to in the "Fama," and the mystic characters of that " Book<br />

of Nature " which, according to the " Confessio," stands<br />

open "for all eyes," but " can be read or understood by only<br />

a very few." These characters are the seal of God im-<br />

printed " on the wonderful work of creation, on the heavens,<br />

the earth, and on all beasts." 2 This "signature of things " is<br />

described by Paracelsus as "a certain organic vital activity,"<br />

which is frequently " expressed even in the exterior form of<br />

things ; and by observing that form we may learn something<br />

in regard to their interior qualities, even without using our<br />

interior sight. We see that the internal character of a man<br />

is often expressed in his exterior appearance, even in the<br />

manner of his walking and in the sound of his voice. Like-<br />

wise the hidden character of things is to a certain extent<br />

expressed in their outward forms. As long as man remained<br />

in a natural state, he recognised the signatures of<br />

things and knew their true character; but the more he<br />

diverged from the path of Nature, and the more his mind<br />

became captivated by illusive external appearances, the<br />

more this power became lost."<br />

:<br />

The same doctrine is de-<br />

veloped by the most distinguished disciple of Paracelsus,<br />

the Kentish Rosicrucian, Robert Fludd.<br />

"<br />

There are other<br />

invisible writings, secretly impressed on the leaves of<br />

1 " Comte de Gabalis." Second Entretien.<br />

2 "Confessio Fraternatis," c. viii.<br />

:i Hartmann's "Paracelsus," pp. 51, 52.

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