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The_Complete_Idiot%27s_Guide_To_Music_Theory

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writing lots of individual measures full of whole rests, it is more common (and a<br />

lot easier) to indicate the total number of measures the instrument will rest.<br />

This is done by using a multiple-measure rest sign in a single measure, with a<br />

number written above the rest. <strong>The</strong> number indicates how many measures of<br />

rest there are. For example, a multiple-measure rest with the number 6 written<br />

above indicates that that instrument is supposed to rest for six measures.<br />

Use a multiple-measure rest sign to indicate multiple measures of rest; in this example, six measures.<br />

<strong>The</strong> Least You Need to Know<br />

◆ <strong>The</strong> tempo of a piece of music can be indicated by traditional Italian<br />

markings or by a specific “beats per minute” instruction.<br />

◆ You indicate changes in tempo by using Italian markings such as ritardano<br />

(slow down) and accelerando (speed up).<br />

◆ <strong>The</strong> volume level of a piece of music is typically indicated by the use of<br />

traditional Italian dynamic markings, from pianissimo (pp) to fortissimo (ff).<br />

◆ You indicate changes in dynamics by using crescendo (get louder) and<br />

decrescendo (get softer) markings.<br />

◆ When you want a single note played louder than normal, use an accent<br />

mark.<br />

◆ You navigate an entire piece of music using repeat signs and various Italian<br />

markings. (For example, D.C. al Coda means to go back to the beginning,<br />

play to the Coda sign; then jump to the Coda section.)<br />

Exercises<br />

Exercise 7-1<br />

Play the following piece of music, paying strict attention to the tempo markings.<br />

Chapter 7: Tempo, Dynamics, and Navigation<br />

87

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