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The_Complete_Idiot%27s_Guide_To_Music_Theory

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182<br />

Part 4: Accompanying<br />

<strong>The</strong> original melody, marked up with intervals.<br />

Transposing your melody one interval at a time.<br />

Now, you start composing your “new” melody in the new key. <strong>The</strong> first note in<br />

the new key (which you have to manually figure out) is a C, and the interval<br />

between that note and the second note is a major second—which makes the second<br />

note a D. <strong>The</strong> next interval is another major second, which makes the next<br />

note an E. <strong>The</strong> next interval is a major second down, which makes the next note<br />

a D. And so on, until you’re done.<br />

This method doesn’t work as well when you’re transposing chords, because it<br />

doesn’t tell you what type of chord comes next—major, minor, or other. I suppose<br />

you could augment this interval-based approach by noting the chord type<br />

from the original version, but that gets a tad complex; there are easier ways to<br />

transpose chord progressions.<br />

Software-Based Transposition<br />

Thanks to modern computer technology, you may be able to avoid manual<br />

transposition completely. Almost all computerized music notation programs,<br />

such as Finale and Sibelius, let you enter your music in concert key; all you have<br />

to do is click a button (or select a menu item) to automatically transpose one or<br />

more staves to another key.<br />

For example, the Finale program (from Coda <strong>Music</strong> Technology) has a drop-down<br />

menu option that enables you to determine whether a given part is noted in<br />

concert key or the instrument’s native key. Depending on the option you select,<br />

your score can show all instruments in concert key, or the specific keys for each<br />

instrument. <strong>The</strong> nice thing about this option is that you can do your original<br />

composing in concert key and then automatically transpose the parts to their<br />

own keys when you’re done writing—which is easier than trying to manually<br />

transpose all the parts while you’re composing.<br />

Finale also lets you transpose a part from any one key to any other key, just by<br />

selecting a few options in a dialog box. When you want to change keys, you can<br />

instruct the program to transpose the original notes up or down, as appropriate,

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