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The_Complete_Idiot%27s_Guide_To_Music_Theory

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112<br />

Part 3: Tunes<br />

Note<br />

<strong>The</strong> notes of a chord don’t<br />

always have to be played<br />

in unison. You can play<br />

the notes one at a time,<br />

starting (usually, but not<br />

always) with the bottom<br />

note. This is called arpeggiating<br />

the chord, and the<br />

result is an arpeggio.<br />

Warning<br />

You should always<br />

spell a triad using every<br />

other letter. So D♭-F-A♭ is a<br />

correct spelling (for a D♭<br />

Major chord), but the enharmonic<br />

spelling of C♯-F-A♭<br />

is wrong<br />

Forming a Chord<br />

Okay, here’s the formal definition: A chord is a combination of three or more<br />

notes played together.<br />

Let’s do a little exercise: Sit down at the nearest piano and put your right thumb<br />

on one of the white keys. (It doesn’t matter which one.) Now skip a key and<br />

put another finger on the third key. Skip another key and put a third finger on<br />

the fifth key. You should now be pressing three keys, with an empty key between<br />

each finger. Press down and listen to the music—you’re playing a chord!<br />

Basic chords consist of just three notes, arranged in thirds, called a triad. <strong>The</strong><br />

most common triads are constructed from notes plucked from the underlying<br />

scale, each note two steps above the previous note. So, for example, if you want<br />

to base a chord on the tonic of a scale, you’d use the first, third, and fifth notes<br />

of the scale. (Using the C Major scale, these notes would be C, E, and G.) If<br />

you want to base a chord on the second degree of a scale, use the second,<br />

fourth, and sixth notes of the scale. (Still using the C Major scale, these notes<br />

would be D, F, and A.)<br />

Building a three-note triad.<br />

Within a specific chord, the first note is called the root—even if the chord isn’t<br />

formed from the root of the scale. <strong>The</strong> other notes of the chord are named relative<br />

to the first note, typically being the third and the fifth above the chord’s<br />

root. (For example, if C is the chord’s root, E is called the third and G is called<br />

the fifth.) This is sometimes notated 1-3-5.<br />

Different Types of Chords<br />

Let’s go back to the piano. Putting your fingers on every other white note, form<br />

a chord starting on middle C. (Your fingers should be on the keys C, E, and G.)<br />

Nice sounding chord, isn’t it? Now move your fingers one key to the right, so<br />

that you’re starting on D. (Your fingers should now be on the keys D, F, and A.)<br />

This chord sounds different—kind of sad, compared to the happier C chord.<br />

You’ve just demonstrated the difference between major and minor chords. <strong>The</strong><br />

first chord you played was a major chord: C Major. <strong>The</strong> second chord was a<br />

minor chord—D minor. As with major and minor scales, major and minor<br />

chords sound different to the listener, because the intervals in the chords are<br />

slightly different.

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