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The_Complete_Idiot%27s_Guide_To_Music_Theory

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Special Notation<br />

In This Chapter<br />

◆ Discover how to notate phrasing with slur marks<br />

17<br />

Chapter<br />

◆ Find out how to write and play embellished notes, including turns, trills,<br />

and grace notes<br />

◆ Learn how to play music with a swing feel<br />

◆ Figure out how to fit words to music<br />

<strong>The</strong>re are some aspects of music theory that don’t fit neatly within traditional<br />

categories. Still, you need to know about them, so I have to include them somewhere<br />

in this book.<br />

That somewhere is this chapter. It’s kind of a grab bag of more advanced techniques,<br />

mainly relating to notation, that you need to have at your fingertips—<br />

even if you won’t use them every day.<br />

So settle back and read about some of the oddball aspects of music theory, and<br />

that popular musical style we call swing.<br />

Throwing a Curve<br />

When you’re writing music, you sometimes need to connect two or more notes<br />

together. You might literally connect them together to form a single, longer<br />

note; or you might simply want them played together as a smooth phrase. In<br />

any case, whenever you connect two or more notes together, you use a notation<br />

effect that looks like a big curve—and is called, alternately, either a tie or a slur.<br />

Ties<br />

You learned about ties back in Chapter 5. When two notes of the same pitch<br />

are tied together—either in the same measure, or across measures—the notes<br />

are played as a single note.

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