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The_Complete_Idiot%27s_Guide_To_Music_Theory

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40<br />

Part 1: <strong>To</strong>nes<br />

Phrygian<br />

<strong>The</strong> Phrygian mode can be thought of as starting on the third note of the<br />

related major scale. Like the Dorian mode, it sounds like a natural minor<br />

scale—but with a lowered second degree.<br />

<strong>The</strong> intervals between notes in the Phrygian mode are as follows.<br />

<strong>The</strong> Intervals of the Phrygian Mode<br />

Note Half Steps to Next Note<br />

<strong>To</strong>nic 1<br />

Second 2<br />

Third 2<br />

Fourth 2<br />

Fifth 1<br />

Sixth 2<br />

Seventh 2<br />

E Phrygian is relative to the key of C, and consists of the following notes:<br />

E Phrygian mode, relative to the key of C.<br />

Lydian<br />

<strong>The</strong> Lydian mode can be thought of as starting on the fourth note of a major<br />

scale. It’s an almost-major scale, but with a raised fourth.<br />

<strong>The</strong> intervals between notes in the Lydian mode are as follows.<br />

<strong>The</strong> Intervals of the Lydian Mode<br />

Note Half Steps to Next Note<br />

<strong>To</strong>nic 2<br />

Second 2<br />

Third 2<br />

Fourth 1<br />

Fifth 2<br />

Sixth 2<br />

Seventh 1

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