10.03.2013 Views

The_Complete_Idiot%27s_Guide_To_Music_Theory

The_Complete_Idiot%27s_Guide_To_Music_Theory

The_Complete_Idiot%27s_Guide_To_Music_Theory

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

128<br />

Part 3: Tunes<br />

Let’s use the key of C as an example, because it’s made up of only the white<br />

keys on a piano. When you play a triad based on C (the tonic of the scale), you<br />

play C E G—a C Major chord. Now move up one key, and play the next<br />

triad—D F A, or D minor. Move up another key, and you play E G B, the E<br />

minor chord. Move up yet another key, and you play F A C—F Major. Keep<br />

moving up the scale and you play G Major, A minor, and B diminished. <strong>The</strong>n<br />

you’re back on C, and ready to start all over again.<br />

This type of chord building based on the notes of a scale is important, because<br />

we use the position within a scale to describe the individual chords in our<br />

chord progressions. In particular, we use Roman numerals (I through VII) to<br />

describe where each chord falls in the underlying scale. Uppercase Roman<br />

numerals are used for major chords; lowercase Roman numerals are used for<br />

minor chords. <strong>To</strong> indicate a diminished chord, you use the lowercase Roman<br />

numeral plus a small circle. <strong>To</strong> indicate an augmented chord, use the uppercase<br />

Roman numeral plus a small plus sign.<br />

Thus, within a major scale, the seven chords are notated as follows:<br />

I ii iii IV V vi vii°<br />

If you remember back to Chapter 2, each degree of the scale has a particular<br />

name—tonic, dominant, and so on. We can assign these names to the different<br />

chords, like this:<br />

I ii iii IV V vi vii°<br />

<strong>To</strong>nic Supertonic Mediant Subdominant Dominant Submediant Leading <strong>To</strong>ne<br />

Of these chords, the primary chords—the ones with the most weight—are the I, IV,<br />

and V. <strong>The</strong>se also are the only major chords in the major scale—and often the<br />

only chords used within a song.<br />

When describing chord progressions, we’ll refer to chords by either their<br />

Roman numerals or their theoretical names (tonic, dominant, and so forth).<br />

You can figure out which specific chords (C Major, D minor, and so forth) to<br />

play, based on the designated key signature.<br />

<strong>To</strong> make things easier, you can refer to the following table, which lists the<br />

seven scale-based chords for each major key signature.<br />

Scale-Based Chords<br />

Key Signature Chords<br />

C<br />

C♯

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!