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The_Complete_Idiot%27s_Guide_To_Music_Theory

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52<br />

Part 1: <strong>To</strong>nes<br />

Tip<br />

<strong>The</strong> half-step modulation<br />

is most common<br />

in twentieth-century<br />

popular music, and<br />

can add a “lift” to the end<br />

of a pop song. <strong>The</strong> fourth<br />

or fifth modulation is more<br />

common in classical music<br />

of the seventeenth through<br />

the nineteenth centuries.<br />

<strong>To</strong> change keys, insert a new key signature.<br />

If you think other musicians might be confused about whether a note has<br />

reverted back to normal, it’s okay to use a courtesy sharp, flat, or natural sign.<br />

(This is a sign placed within parentheses.) This reminds the reader that the note<br />

has reverted back to its normal state. You don’t have to use courtesy signs like<br />

this, but when the music is complicated, it can be quite helpful.<br />

A courtesy accidental reminds musicians that a changed note has reverted back to normal.<br />

Changing Keys<br />

Some long pieces of music don’t always use the same key throughout the entire<br />

piece. In fact, some short pop songs change keys midway through. It’s allowed.<br />

When you change keys in the middle of a song, it’s called modulating to another<br />

key. You can modulate to any key, although the most common modulations are<br />

up a half step (from E Major to F Major, for example), or up a fourth or fifth<br />

(from E Major to either A Major or B Major, for example).<br />

When you want to change keys, you indicate this by inserting a new key signature<br />

in the first measure of the new key. It’s as simple as that, as you can see in<br />

the following figure. (Note that some composers and arrangers also insert a<br />

double bar whenever there’s a key change.)<br />

Tip<br />

If you want, you can alert musicians to a key change by placing the<br />

appropriate sharps and flats at the very end of the last staff of the old<br />

key—as well as with a new key signature in the following measure. This<br />

approach is entirely optional; it’s perfectly acceptable to signal the key<br />

change with a single key signature in the first measure of the new key.<br />

<strong>The</strong> only complicated key change is when you’re changing to the key of C—<br />

which has no sharps or flats. You indicate this by using natural signs to cancel<br />

out the previous sharps or flats, like this:

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