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The_Complete_Idiot%27s_Guide_To_Music_Theory

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148<br />

Part 3: Tunes<br />

Tip<br />

When you have<br />

variations of a single<br />

section like this,<br />

you can label each<br />

instance of the section by<br />

a number after the letter, as<br />

in A1, A2, A3, and so on.<br />

Let’s look at a song that has a verse, a chorus, a verse, and another chorus. <strong>The</strong><br />

form of this song would look like this:<br />

A B A B<br />

Note that when the verse repeats, we don’t give it a new letter; it keeps the “A”<br />

designation—even if the lyrics change. Same thing with the chorus; the B section<br />

is always B, no matter how many times it repeats.<br />

Now let’s look at a song that has two verses, a chorus, and a final verse. <strong>The</strong><br />

form of this song looks like this:<br />

A A B A<br />

Things get more interesting when you add a bridge to the mix. Consider a song<br />

with two verses, a chorus, a bridge, and a final chorus:<br />

A A B C B<br />

Or how about a song with two verses, a chorus, another verse, a bridge, a final<br />

verse, and a final chorus:<br />

A A B A C A B<br />

It’s not really that hard to follow, once you know what letters stand for what.<br />

Incidentally, some songs are all A. This is fairly common in folk music, where<br />

you have one melodic phrase repeated over and over, each time with a different<br />

set of lyrics. Think of “If I Had a Hammer,” or “Where Have All the Flowers<br />

Gone?” as good examples. Neither song has a chorus, per se; they’re all verses,<br />

and lots of them.<br />

Head Cases<br />

<strong>The</strong>re’s a unique musical form associated with jazz music, and with some rockand-roll<br />

“jam” bands. This form, called the head arrangement, is ideally suited<br />

for extended improvisation.<br />

In this type of music you play the “head”—the main melody, or sometimes both<br />

verse and chorus—relatively straight, and then repeat those chord progressions<br />

for a series of instrumental solos. (Jazz musicians call this “soloing over the<br />

changes.”) <strong>The</strong> head is then repeated, straight after the soloists blow themselves<br />

out.<br />

In terms of form, this type of tune might look like this:<br />

A (head) A (solos) A (head repeat)<br />

If a more complex song (complete with both verse and chorus) is used as the<br />

head, the form might look something like this:<br />

ABA (head) ABA (solos) ABA (head repeat)

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