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The_Complete_Idiot%27s_Guide_To_Music_Theory

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122<br />

Part 3: Tunes<br />

Note<br />

In classical music theory, a<br />

power chord is called an<br />

open fifth, and is technically<br />

an interval, not a<br />

chord.<br />

Power chords, up and down the scale.<br />

<strong>The</strong> resolution from the perfect fourth to the major third is just a half-step<br />

movement, but that little half step makes a world of difference; until you make<br />

the move, you’re sitting on the edge of your seat waiting for that incredible<br />

tension to resolve.<br />

Power Chords<br />

If you want a really simple chord, one with a lot of raw power, you can play just<br />

the root and the fifth—leaving out the third. This type of chord is called a power<br />

chord; it is noted by adding a “5” after the chord note. (For example, a G power<br />

chord is notated G5, and includes only the notes G and D.) Power chords are<br />

used a lot in certain types of popular music, in particular the hard rock and<br />

heavy metal genres.<br />

Here’s one bad thing about power chords: If you use a bunch of them in a row,<br />

you create something called parallel fifths. As you’ll learn in Chapter 14, parallel<br />

fifths are frowned upon, especially in classical music theory. So use power chords<br />

sparingly and—if at all possible—not consecutively.<br />

Inverting the Order<br />

Although it’s easiest to understand a chord when the root is on the bottom and<br />

the fifth is on the top, you don’t have to play the notes in precisely this order.<br />

Chords can be inverted so that the root isn’t the lowest note, which can give a<br />

chord a slightly different sound. (It can also make a chord easier to play on a<br />

piano, when you’re moving your fingers from chord to chord; inversions help<br />

to group the notes from adjacent chords closer together.)<br />

When you rearrange the notes of a chord so that the third is on the bottom<br />

(3-5-1), you form what is called the first inversion. (Using a C Major chord as an<br />

example, the first inversion is arranged E G C.) <strong>The</strong> second inversion is where you<br />

put the fifth of the chord on the bottom, followed by the root and third (5-1-3).<br />

(Again using C Major as an example, the second inversion is arranged G C E.)<br />

<strong>The</strong> standard triad form, with the root on the bottom, is called the root inversion.<br />

<strong>The</strong> first and second inversions of a C Major chord.

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