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The_Complete_Idiot%27s_Guide_To_Music_Theory

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Contents at a Glance<br />

Part 1: <strong>To</strong>nes 1<br />

1 Pitches and Clefs 3<br />

Sing high, sing low—and learn how to describe all those different<br />

pitches you can sing.<br />

2 Intervals 17<br />

What’s the shortest distance between two tones? It’s called an interval!<br />

3 Scales 27<br />

Do, a deer, a female deer … which happens to be as good a way as<br />

any to describe a scale.<br />

4 Major and Minor Keys 45<br />

We’re not talking car keys here; nope, this chapter is all about<br />

major and minor keys, as well as some seven-note modes that date<br />

all the way back to the ancient Greeks.<br />

Part 2: Rhythms 55<br />

5 Note Values and Basic Notation<br />

If you can count to four, you can figure out most rhythms—and<br />

write them down, on paper.<br />

57<br />

6 Time Signatures<br />

It looks like a fraction, but it’s not a fraction—it’s a time signature!<br />

67<br />

7 Tempo, Dynamics, and Navigation<br />

How do you describe how fast and how loud a song should be<br />

played? Read here to find out!<br />

77<br />

Part 3: Tunes 89<br />

8 Melodies<br />

When you put tones together with rhythms, what do you get?<br />

(Hint: You can sing it!)<br />

91<br />

9 Chords<br />

Major, minor, diminished, augmented—whatever you call ’em,<br />

chords are just three notes played together.<br />

111<br />

10 Chord Progressions<br />

Did you know that most folk, rock, and country music can be played<br />

with just three chords? Now that’s a popular chord progression!<br />

127<br />

11 Phrases and Form<br />

ABAC isn’t an acronym—it’s a way to describe in what order you<br />

play all the different sections of a song.<br />

145<br />

Part 4: Accompanying 153<br />

12 Transcribing What You Hear<br />

<strong>The</strong> music goes in one ear, bounces around your brain, and ends up<br />

written down on paper—if you do it right.<br />

155

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