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The_Complete_Idiot%27s_Guide_To_Music_Theory

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118<br />

Part 3: Tunes<br />

Minor seventh chords.<br />

For example, a C minor 7 chord includes the notes C, E♭, G, and B♭.<br />

Here’s a quick look at how to build minor seventh chords on every note of the<br />

scale:<br />

<strong>The</strong>re are several ways to indicate a minor seventh chord, as shown in the following<br />

table:<br />

Notation for Minor Seventh Chords<br />

Minor Seventh Chord Notation Example<br />

minor 7 C minor 7<br />

min7 C min7<br />

m7 Cm7<br />

Other Sevenths<br />

When I said there were three basic types of seventh chords, I left the door open<br />

for other types of less frequently used seventh chords. Indeed, you can stick<br />

either a minor or a major seventh on top of any type of triad—major, minor,<br />

augmented, or diminished—to create different types of seventh chords.<br />

For example, a major seventh stuck on top of a minor triad creates a “minor<br />

major seventh” chord. (That is, the base chord is minor, but the seventh is<br />

major.) This is notated 1-♭3-5-7; a C minor Major 7 chord would include the<br />

notes C, E♭, G, and B (natural).<br />

Other types of seventh chords.<br />

A minor seventh on top of a diminished triad creates a diminished seventh<br />

chord, like this: 1-♭3-♭5-♭7. (This is the chord you get if you play a seventh<br />

chord based on the seventh tone of a major key.) A minor seventh on top of an<br />

augmented triad creates an augmented seventh chord, like this: 1-3-♯5-♭7. A<br />

major seventh on top of an augmented triad creates a major seventh chord with<br />

a raised fifth (♯5), like this: 1-3-♯5-7 … and so on.

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