The_Complete_Idiot%27s_Guide_To_Music_Theory
The_Complete_Idiot%27s_Guide_To_Music_Theory
The_Complete_Idiot%27s_Guide_To_Music_Theory
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<strong>The</strong> <strong>Complete</strong> Idiot’s <strong>Guide</strong> to <strong>Music</strong> <strong>The</strong>ory, Second Edition<br />
Aeolian ..........................................................................................41<br />
Locrian ..........................................................................................42<br />
4 Major and Minor Keys 45<br />
Keys to Success ................................................................................45<br />
Using Key Signatures ......................................................................46<br />
Major Keys ......................................................................................46<br />
Minor Keys ....................................................................................48<br />
<strong>The</strong> Circle of Fifths ..........................................................................50<br />
Accidents Will Happen ....................................................................51<br />
Changing Keys ..................................................................................52<br />
Part 2: Rhythms 55<br />
5 Note Values and Basic Notation 57<br />
Taking the Measure of Things ........................................................58<br />
Taking Note—of Notes ....................................................................58<br />
Whole Notes ....................................................................................59<br />
Half Notes ......................................................................................59<br />
Quarter Notes ................................................................................60<br />
Eighth Notes ..................................................................................61<br />
Sixteenth Notes ..............................................................................61<br />
Taking Count ....................................................................................62<br />
Taking a Rest ....................................................................................62<br />
Taking a Note—and Dotting It ........................................................63<br />
Taking Two Notes—and Tying <strong>The</strong>m <strong>To</strong>gether ............................64<br />
Taking the Beat and Dividing by Three ..........................................64<br />
6 Time Signatures 67<br />
Measuring the Beats ..........................................................................67<br />
Quarter-Note Time ........................................................................68<br />
Eighth-Note Time ..........................................................................69<br />
Half Time ......................................................................................71<br />
Changing the Time ..........................................................................72<br />
Grouping the Beats ..........................................................................72<br />
7 Tempo, Dynamics, and Navigation 77<br />
Taking the Pulse ................................................................................77<br />
Beats per Minute ............................................................................78<br />
Italian Tempo Terms ........................................................................78<br />
Speeding Up—and Slowing Down ..................................................80<br />
Hold That Note! ..............................................................................80<br />
Getting Loud—and Getting Soft ....................................................81<br />
Dynamic Markings ........................................................................81<br />
Changing Dynamics ........................................................................81<br />
Play It Harder ................................................................................82<br />
More Dynamics ..............................................................................83