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The_Complete_Idiot%27s_Guide_To_Music_Theory

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vi<br />

<strong>The</strong> <strong>Complete</strong> Idiot’s <strong>Guide</strong> to <strong>Music</strong> <strong>The</strong>ory, Second Edition<br />

Aeolian ..........................................................................................41<br />

Locrian ..........................................................................................42<br />

4 Major and Minor Keys 45<br />

Keys to Success ................................................................................45<br />

Using Key Signatures ......................................................................46<br />

Major Keys ......................................................................................46<br />

Minor Keys ....................................................................................48<br />

<strong>The</strong> Circle of Fifths ..........................................................................50<br />

Accidents Will Happen ....................................................................51<br />

Changing Keys ..................................................................................52<br />

Part 2: Rhythms 55<br />

5 Note Values and Basic Notation 57<br />

Taking the Measure of Things ........................................................58<br />

Taking Note—of Notes ....................................................................58<br />

Whole Notes ....................................................................................59<br />

Half Notes ......................................................................................59<br />

Quarter Notes ................................................................................60<br />

Eighth Notes ..................................................................................61<br />

Sixteenth Notes ..............................................................................61<br />

Taking Count ....................................................................................62<br />

Taking a Rest ....................................................................................62<br />

Taking a Note—and Dotting It ........................................................63<br />

Taking Two Notes—and Tying <strong>The</strong>m <strong>To</strong>gether ............................64<br />

Taking the Beat and Dividing by Three ..........................................64<br />

6 Time Signatures 67<br />

Measuring the Beats ..........................................................................67<br />

Quarter-Note Time ........................................................................68<br />

Eighth-Note Time ..........................................................................69<br />

Half Time ......................................................................................71<br />

Changing the Time ..........................................................................72<br />

Grouping the Beats ..........................................................................72<br />

7 Tempo, Dynamics, and Navigation 77<br />

Taking the Pulse ................................................................................77<br />

Beats per Minute ............................................................................78<br />

Italian Tempo Terms ........................................................................78<br />

Speeding Up—and Slowing Down ..................................................80<br />

Hold That Note! ..............................................................................80<br />

Getting Loud—and Getting Soft ....................................................81<br />

Dynamic Markings ........................................................................81<br />

Changing Dynamics ........................................................................81<br />

Play It Harder ................................................................................82<br />

More Dynamics ..............................................................................83

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