The_Complete_Idiot%27s_Guide_To_Music_Theory
The_Complete_Idiot%27s_Guide_To_Music_Theory
The_Complete_Idiot%27s_Guide_To_Music_Theory
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258<br />
Part 6: Arranging<br />
Warning<br />
Your rehearsal time<br />
will inevitably be limited—<br />
and less than what you’d<br />
ideally like to have. Plan<br />
out your rehearsal routine<br />
in advance to take best<br />
advantage of the time you<br />
have. Don’t spend so<br />
much time on the beginning<br />
of the piece that you<br />
never get a chance to<br />
rehearse the end!<br />
Most commercial music comes with all the individual parts you need for your<br />
group. However, if you’re playing an original piece, it’s your responsibility to<br />
create the individual parts for each instrument or voice, and to pass them out to<br />
the musicians. Ideally this happens well in advance of the first rehearsal, so<br />
they’ll have the opportunity to practice their parts on their own.<br />
Remember to transpose the parts to the proper keys, to make the music as readable<br />
as possible, and to include proper signposts and road mapping throughout.<br />
(That means numbering the measures, lettering individual sections, and including<br />
cues of some sort when you’re coming off an extended section of rests.)<br />
Rehearsal Routines<br />
You’ve arranged the music, and arranged for the musicians. <strong>The</strong> big hand of the<br />
clock is almost in the full-up position, and it’s time for your first rehearsal.<br />
What do you do?<br />
When you’re rehearsing a chorus, band, or orchestra, you need to warm up the<br />
group before they start playing (or singing) full blast. <strong>The</strong>n you have to effectively<br />
and efficiently rehearse the piece at hand—you have to get the musicians<br />
up to speed as quickly as possible. (Time is money!)<br />
Here’s a suggested routine you can use when you’re working with a large<br />
ensemble of any type:<br />
1. Setup If you’re dealing with professionals, they’ll know to be set up and<br />
ready to play at the appointed time. If you’re dealing with younger or<br />
amateur players, you need to allow them time to get settled in and ready<br />
to play.<br />
2. Tuneup You need to take a few minutes to get an instrumental group in<br />
tune with itself.<br />
3. Warmup It’s especially important for nonprofessional players—both<br />
vocalists and instrumentalists—to “limber up,” musically before they<br />
tackle the hard stuff. Have them play or sing some scales, or run through a<br />
simple and familiar piece of music, to help them stretch their musical<br />
muscles, so to speak.<br />
4. Play-through Once everyone is set up, tuned up, warmed up, and ready<br />
to go, you can start rehearsing your music. You might want to start by<br />
playing the piece all the way through, to give everyone a feel for the piece.<br />
<strong>The</strong>n you can go back and rehearse specific sections, focusing on those<br />
parts of the music that are particularly tricky, or that seemed to give the<br />
musicians problems on the first play-through. Remember to end the<br />
rehearsal with a final play-through of the entire piece.<br />
How to Conduct Yourself<br />
If you’ve composed or arranged a piece of music, you’ll probably be expected to<br />
lead the band or orchestra or choir when it’s time for that music to be played.