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The_Complete_Idiot%27s_Guide_To_Music_Theory

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258<br />

Part 6: Arranging<br />

Warning<br />

Your rehearsal time<br />

will inevitably be limited—<br />

and less than what you’d<br />

ideally like to have. Plan<br />

out your rehearsal routine<br />

in advance to take best<br />

advantage of the time you<br />

have. Don’t spend so<br />

much time on the beginning<br />

of the piece that you<br />

never get a chance to<br />

rehearse the end!<br />

Most commercial music comes with all the individual parts you need for your<br />

group. However, if you’re playing an original piece, it’s your responsibility to<br />

create the individual parts for each instrument or voice, and to pass them out to<br />

the musicians. Ideally this happens well in advance of the first rehearsal, so<br />

they’ll have the opportunity to practice their parts on their own.<br />

Remember to transpose the parts to the proper keys, to make the music as readable<br />

as possible, and to include proper signposts and road mapping throughout.<br />

(That means numbering the measures, lettering individual sections, and including<br />

cues of some sort when you’re coming off an extended section of rests.)<br />

Rehearsal Routines<br />

You’ve arranged the music, and arranged for the musicians. <strong>The</strong> big hand of the<br />

clock is almost in the full-up position, and it’s time for your first rehearsal.<br />

What do you do?<br />

When you’re rehearsing a chorus, band, or orchestra, you need to warm up the<br />

group before they start playing (or singing) full blast. <strong>The</strong>n you have to effectively<br />

and efficiently rehearse the piece at hand—you have to get the musicians<br />

up to speed as quickly as possible. (Time is money!)<br />

Here’s a suggested routine you can use when you’re working with a large<br />

ensemble of any type:<br />

1. Setup If you’re dealing with professionals, they’ll know to be set up and<br />

ready to play at the appointed time. If you’re dealing with younger or<br />

amateur players, you need to allow them time to get settled in and ready<br />

to play.<br />

2. Tuneup You need to take a few minutes to get an instrumental group in<br />

tune with itself.<br />

3. Warmup It’s especially important for nonprofessional players—both<br />

vocalists and instrumentalists—to “limber up,” musically before they<br />

tackle the hard stuff. Have them play or sing some scales, or run through a<br />

simple and familiar piece of music, to help them stretch their musical<br />

muscles, so to speak.<br />

4. Play-through Once everyone is set up, tuned up, warmed up, and ready<br />

to go, you can start rehearsing your music. You might want to start by<br />

playing the piece all the way through, to give everyone a feel for the piece.<br />

<strong>The</strong>n you can go back and rehearse specific sections, focusing on those<br />

parts of the music that are particularly tricky, or that seemed to give the<br />

musicians problems on the first play-through. Remember to end the<br />

rehearsal with a final play-through of the entire piece.<br />

How to Conduct Yourself<br />

If you’ve composed or arranged a piece of music, you’ll probably be expected to<br />

lead the band or orchestra or choir when it’s time for that music to be played.

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