Mae Festa 50 Years of Collecting Textiles - Peter Pap Oriental Rugs
Mae Festa 50 Years of Collecting Textiles - Peter Pap Oriental Rugs
Mae Festa 50 Years of Collecting Textiles - Peter Pap Oriental Rugs
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
AFRICA – Sub-Sahara<br />
Cloth Square (Latoon)<br />
(above)<br />
Mid-20 th Century<br />
Showa Ethnic Group, Kuba Kingdom,<br />
Democratic Republic <strong>of</strong> Congo<br />
Plainwoven raffia palm leaf fiber enhanced<br />
with running embroidery and pile, the latter<br />
natural and dyed black.<br />
59 x 66 cm 23 x 26 in<br />
The Showa people are traditionally credited with<br />
introducing pile embroidery to Kubaland. Before the<br />
18 th century, woven raffia squares were the primary<br />
currency in the Central Congo. Amongst the Kuba<br />
such squares, exhibiting the investment <strong>of</strong> time and<br />
creativity, retained their cultural value, and could be<br />
used as gifts or as payment for fines, and were on rare<br />
occasions employed to embellish ceremonial costumes.<br />
This example exhibits the Showa penchant for theme<br />
and variation, sometimes resulting in subtle shifts<br />
by the border finish, it also features the bifurcated<br />
triangles, one half in black pile, that one regularly<br />
sees in Showa latoon. Here only one unit is broken<br />
up in checkerboard fashion by the use <strong>of</strong> black pile<br />
against natural.<br />
364<br />
Panel from Ceremonial Underskirt (Nchak)<br />
Mid-20 th Century<br />
Bushong Ethnic Group, Kuba Kingdom,<br />
Democratic Republic <strong>of</strong> Congo<br />
Raffia palm leaf fiber, plainwoven, embroidered<br />
and appliquéd. One <strong>of</strong> several panels, woven by<br />
men, and typically embroidered by women <strong>of</strong><br />
the extended family.<br />
59 x 67 cm 23 x 26½ in<br />
This panel is from one <strong>of</strong> the basic types <strong>of</strong> ceremonial<br />
underskirt worn by Bushong women on special occasions.<br />
It contains three small appliqués, which may have<br />
covered breaks in the ground cloth. The elaborate web<br />
<strong>of</strong> embroidery in a broadly rectilinear format is<br />
characteristic <strong>of</strong> many <strong>of</strong> these long skirts as are the<br />
endless knot and “arrow head” motifs.