Mae Festa 50 Years of Collecting Textiles - Peter Pap Oriental Rugs
Mae Festa 50 Years of Collecting Textiles - Peter Pap Oriental Rugs
Mae Festa 50 Years of Collecting Textiles - Peter Pap Oriental Rugs
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AFRICA – Sub-Sahara<br />
Panel from Ceremonial Underskirt (Nchak)<br />
(above)<br />
Early 20 th Century<br />
Bushong Ethnic Group, Kuba Kingdom,<br />
Democratic Republic <strong>of</strong> Congo<br />
Raffia palm leaf fiber, plainwoven, appliquéd<br />
and embroidered; cotton trade cloth. One <strong>of</strong><br />
several panels, woven by men, and typically<br />
embroidered by women <strong>of</strong> the extended family.<br />
63 x 45 cm 25 x 18 in<br />
This panel is from the same basic type <strong>of</strong> ceremonial<br />
underskirt worn by women <strong>of</strong> the royal family in the<br />
capital <strong>of</strong> Mushenge from newly-arrived cotton trade<br />
cloth in the 1920s. Since such cloth was novel at the<br />
time, it was reserved for costume for the vast royal<br />
family. The fragment <strong>of</strong> blue trade cloth is treated<br />
the same way as the other twelve raffia appliqués in<br />
this panel, sewn on with black raffia fiber. The dense<br />
web <strong>of</strong> essentially linear embroidery is similar to the<br />
other panel.<br />
366<br />
Cloth Square (Latoon)<br />
3 rd Quarter 20 th Century<br />
Mbenge or Bushong Ethnic Group,<br />
Kuba Kingdom,<br />
Democratic Republic <strong>of</strong> Congo<br />
Plainwoven raffia palm leaf fiber enhanced<br />
with all-over running embroidery, natural<br />
and dyed black.<br />
46 x 41 cm 18 x 16 in<br />
This striking little raffia square is distinguished<br />
not only by the beauty <strong>of</strong> its design but by the<br />
exclusive use <strong>of</strong> overall running embroidery,<br />
accomplished by running the needle under and over<br />
the fibers in the plainweave foundation, always with<br />
one <strong>of</strong> the cross-fibers underneath the embroidery<br />
fiber leaving virtually no evidence <strong>of</strong> this work on<br />
the face <strong>of</strong> the piece.