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Saving Fish from Drowning - Heal Burma

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AMY TAN<br />

The fucking military took away their land, burned their villages, en­<br />

slaved them. God, this is so sickening....It really makes you appre­<br />

ciate . . .” Her voice drops to a fierce whisper, and it is obvious she is<br />

crying. “Oh God, it makes you appreciate not ever knowing such<br />

things....We have to help them....We can’t just give them sympa­<br />

thy or a token bit of help. We want to help in a bigger way, a sub­<br />

stantial way that can make a difference.” Cut.<br />

The chasm again. Voices are grumbling, arguing, nay-saying, in­<br />

sisting. “This is the shits,” Roxanne says. The eye of the camera veers<br />

toward a ladder of ropes running straight down the other side of the<br />

crevasse. The bridge has collapsed! They’re looking down? Has<br />

someone fallen in? Who? How many? Marlena? Esmé, Moff? No?<br />

No! Thank God. They’re fine. There they are. All there? Yes, they<br />

must be, since no one is acting crazed with grief, just pissed. So that’s<br />

it. They can’t get out. The bridge is down. They meant to come back<br />

all along. And they’re alive. They’re simply stuck. They must be<br />

okay. They had food. Thank God! Cut.<br />

It’s night. Why has so much time gone by without any video? The<br />

date stamp says December 30th, so it is the 31st, New Year’s Eve.<br />

Rupert is lying on the ground, his eyes looking upward, perhaps at<br />

stars. Whoever is holding the camera is shaking it. It makes Rupert<br />

look jittery. Rupert is mumbling, but it’s impossible to hear what he<br />

is saying. Every now and then, he lets out a shout. A night moth flut­<br />

ters by, dancing with the light of the smoke.<br />

Vera is speaking. “You shouldn’t do that.” She isn’t scolding. She<br />

sounds very gentle. She must be telling Rupert to not be so noisy, be­<br />

cause others are sleeping.<br />

Rupert doesn’t answer. The camera continues shaking. No, wait,<br />

it’s Rupert who’s shaking. He’s shivering, shivering violently. He<br />

must be sick, terribly sick. It is now Moff who is speaking, although<br />

he is not seen. “His mother,” he says in uneven breaths, and the<br />

camera heaves with him. “She’ll want to feel she was next to him...<br />

402

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