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Saving Fish from Drowning - Heal Burma

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SAVING FISH FROM DROWNING<br />

white sackcloth—loose jackets, pants, and caps, costumes left over<br />

<strong>from</strong> the previous year’s spring pageant. They fell in behind the<br />

band. Two sturdy boys on stilts held up a poster-mounted photo of<br />

me in my Himalayan hairdo. A wreath of flowers framed my blown-<br />

up face and its too-broad smile. Dear me, it looked as if I were cam­<br />

paigning to become Mayor of the Underworld!<br />

In a short while, the mourners, as well as a dozen or so tourists on<br />

rented Rollerblades and a few dozen more who had been expelled<br />

<strong>from</strong> the gates of the Japanese Tea Garden, gathered behind the<br />

band, following the busy hand signals of the museum staff. The<br />

flutes trilled, the cymbals tinkled, the drums rumbled, and a flock of<br />

fat pigeons flew up with a windy flapping of wings, and that was<br />

how we began our walk to pay tribute to “a great lady lost.”<br />

Though it was December, the weather was sunny and without<br />

wind, which made everyone feel enlivened, unable to grieve with true<br />

despair. Those who had signed up for the ill-fated <strong>Burma</strong> Road trip<br />

were ambling in a cluster toward the rear. They were the ones I de­<br />

cided to join, listening at the back of their minds. As we were circling<br />

the concourse, Harry Bailley brought up the subject of canceling.<br />

“What fun would it be without our Bibi?” he said in that rich bari­<br />

tone that I have always loved listening to on his television show.<br />

“Who would tell us what to savor, what to see?” All very touching<br />

questions.<br />

Marlena Chu was quick to agree. “It just wouldn’t be the same,”<br />

she said in an elegant voice, tinged with an accent shaped by her<br />

Shanghainese birth, her childhood in São Paulo, her British teachers,<br />

and her studies at the Sorbonne. She came <strong>from</strong> a family of former<br />

vast wealth and power, who were reduced on their exodus to South<br />

America to becoming merely comfortably well-off. Marlena bought<br />

fine art as a professional curator for private collections and com­<br />

missioned sculptural installations for corporations setting up their<br />

international headquarters in far-flung places. I also happened to<br />

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