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ARMENIAN - Erevangala500

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On the walls of this deep canyon south o f Van on the edge of<br />

the Hakkari, one finds the caves of Yedisalkim, just eighty<br />

meters above the valley floor. The rock-drawings here were<br />

mostly done in dark red or brown. Pictures o f gods, goddesses<br />

with exaggerated sexual parts, dancing human figures, sun<br />

motifs, wild animals and hunting scenes showing now-extinct<br />

beasts are the dominate images. A depiction of the mother<br />

deity standing on an animal is the oldest known drawing of a<br />

"queen o f the animal kingdom" anywhere in Anatolia.<br />

that the Armenians arrived in Anatolia. At the end of the<br />

fifth century (401л00 B.C.), Xenophon writes in his Anabasis<br />

o f the Armenians in connection with other<br />

Anatolian tribes.<br />

The very first mention of the Armenians anywhere is to<br />

be found in the trilingual (Iranian, Babylonian, and<br />

Elamitic) inscription of Behistun in western Iran, in<br />

which the Persian king Darius (485 B.C.) lists Armenia as<br />

one of his satrapies. This first written record could be<br />

seen as having symbolic significance, in light of the fact<br />

that the Armenian communities almost never in their history<br />

rose above the status o f satrapies, or at best semiindependent<br />

principalities.<br />

Bisutun (Behistun): This watercolor by Sir Robert Ker Porter<br />

from the year 1818 shows the cliffs in western Persia where the<br />

royal inscription o f Darius is to be found.<br />

Bisutun (Behistun): Depiction o f the god Ahura Mazda with the<br />

trilingual inscription o f King Darius. Beneath the bas-relief we<br />

see figures representing the tribes owing tribute to Darius;<br />

among them is an Armenian.<br />

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