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ARMENIAN - Erevangala500

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The "C hef's Armeniens dans Djebel Mousa" on board o f the<br />

French warship D E SA IX , still playing with gun and field<br />

glass, still in best mood.<br />

shame for the Swiss authorities how they handled this<br />

problem... Jewish property and funds were welcome, but<br />

human beeings?) But let us come to the point o f the "40<br />

Days": When Franz Werfel aimed at the Nazis, calling<br />

them "Turks" and the Jews "Armenians" Franz Werfel<br />

commited a crime.<br />

He commited murder - in German there is the word<br />

"Rufmord", murder o f one's reputation - by defaming the<br />

name o f the Turkish nation, the killing o f one's good<br />

name. Sometimes "Rufmord" is worse than murder. It<br />

leads easily to further crimes, in our case against Turkey<br />

and Turks, up to today.<br />

In his note - or intoduction - to the "40 Days..." Werfel<br />

wrote:<br />

"This book was conceived in March o f 1929, in the<br />

course o f a stay in Damascus. The miserable sight o f<br />

some maimed and famished-looking refugee children,<br />

working in a carpet factory, that gave me the final<br />

impulse to snatch from the Hades o f all that was this<br />

incomprehensiible destiny o f the Armenian nation."<br />

Finally Werfel remarks that he had selected for his readings<br />

in Germany, March 1933 the "historic records o f a<br />

conversation betM’een Enver Pasha and Pastor Johannes<br />

Lepsius ".<br />

The source o f this "conversation" were the memoirs o f a<br />

German protestant pastor, a certain Dr. Johannes Lepsius<br />

A number o f wounded Turkish soldiers travelling on home<br />

leave were ambushed and brutally killed by Armenian bands in<br />

the vicinity o f Kum and £u m , in the district o f L ice,<br />

Diyarbakir, on Juli 25, 1915.<br />

Borrowed from "Erm eni Amal ve Herekat-i Ihtalaliyesi;<br />

Tesavir ve Vesaik. The Armenian aspirations and revolutionary<br />

movements.-Albums No: 1 and 2. 1919.<br />

But how could it come that Werfel, this most sensitive<br />

poet, fell into this trap? It seems that the inititive came<br />

from his wife, Alma Maria Mahler-Werfel.<br />

Alma, the alter ego of Franz<br />

Alma Werfel was doubtless one o f the most fascinating<br />

women o f her time. She was born in 1879 as the daugh­<br />

ter o f the Viennese landscape painter E. J. Schindler and<br />

grew up in an environment with artists like Gustav Klimt<br />

or Alexander Zemlinsky - her composer tutor - and at the<br />

age o f 22 she married the meanwhile world famous com ­<br />

poser Gustav Mahler who dedicated his 8th symphony to<br />

Alma. After years o f marriage Alma sought refuge with<br />

an indefinible amount o f (again world famous) lovers,<br />

admirors plus husbands like Walter Gropius or Werfel<br />

and her relation with Oskar Kokoschka who contributed<br />

to her fame with his famous painting "Die Windsbraut"<br />

(something like "bride o f the wind") but, it fits in this case<br />

perfectly, Windsbraut can also be something like a hurri­<br />

cane... and Alma Werfel was such a phenomenon. Die<br />

Windsbraut gave also reason for a Hollywood film,<br />

describing her turbulent life, her love-affairs and her<br />

attractive qualities which she doutless had. The list o f her<br />

adorants is sheer endless: Erich Wolfgang Korngold ded­<br />

icated to her his famous violin concerto, she made friend­<br />

ship ^) with Gabriele d'Annunzio, Toscanini, Arnold<br />

Schonberg, Darius Milhaud, Poulenc, Marc Chagall,<br />

Thomas Mann, met Bernhard Shaw, liked H. G. Wells,<br />

87

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