ARMENIAN - Erevangala500
ARMENIAN - Erevangala500
ARMENIAN - Erevangala500
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The "C hef's Armeniens dans Djebel Mousa" on board o f the<br />
French warship D E SA IX , still playing with gun and field<br />
glass, still in best mood.<br />
shame for the Swiss authorities how they handled this<br />
problem... Jewish property and funds were welcome, but<br />
human beeings?) But let us come to the point o f the "40<br />
Days": When Franz Werfel aimed at the Nazis, calling<br />
them "Turks" and the Jews "Armenians" Franz Werfel<br />
commited a crime.<br />
He commited murder - in German there is the word<br />
"Rufmord", murder o f one's reputation - by defaming the<br />
name o f the Turkish nation, the killing o f one's good<br />
name. Sometimes "Rufmord" is worse than murder. It<br />
leads easily to further crimes, in our case against Turkey<br />
and Turks, up to today.<br />
In his note - or intoduction - to the "40 Days..." Werfel<br />
wrote:<br />
"This book was conceived in March o f 1929, in the<br />
course o f a stay in Damascus. The miserable sight o f<br />
some maimed and famished-looking refugee children,<br />
working in a carpet factory, that gave me the final<br />
impulse to snatch from the Hades o f all that was this<br />
incomprehensiible destiny o f the Armenian nation."<br />
Finally Werfel remarks that he had selected for his readings<br />
in Germany, March 1933 the "historic records o f a<br />
conversation betM’een Enver Pasha and Pastor Johannes<br />
Lepsius ".<br />
The source o f this "conversation" were the memoirs o f a<br />
German protestant pastor, a certain Dr. Johannes Lepsius<br />
A number o f wounded Turkish soldiers travelling on home<br />
leave were ambushed and brutally killed by Armenian bands in<br />
the vicinity o f Kum and £u m , in the district o f L ice,<br />
Diyarbakir, on Juli 25, 1915.<br />
Borrowed from "Erm eni Amal ve Herekat-i Ihtalaliyesi;<br />
Tesavir ve Vesaik. The Armenian aspirations and revolutionary<br />
movements.-Albums No: 1 and 2. 1919.<br />
But how could it come that Werfel, this most sensitive<br />
poet, fell into this trap? It seems that the inititive came<br />
from his wife, Alma Maria Mahler-Werfel.<br />
Alma, the alter ego of Franz<br />
Alma Werfel was doubtless one o f the most fascinating<br />
women o f her time. She was born in 1879 as the daugh<br />
ter o f the Viennese landscape painter E. J. Schindler and<br />
grew up in an environment with artists like Gustav Klimt<br />
or Alexander Zemlinsky - her composer tutor - and at the<br />
age o f 22 she married the meanwhile world famous com <br />
poser Gustav Mahler who dedicated his 8th symphony to<br />
Alma. After years o f marriage Alma sought refuge with<br />
an indefinible amount o f (again world famous) lovers,<br />
admirors plus husbands like Walter Gropius or Werfel<br />
and her relation with Oskar Kokoschka who contributed<br />
to her fame with his famous painting "Die Windsbraut"<br />
(something like "bride o f the wind") but, it fits in this case<br />
perfectly, Windsbraut can also be something like a hurri<br />
cane... and Alma Werfel was such a phenomenon. Die<br />
Windsbraut gave also reason for a Hollywood film,<br />
describing her turbulent life, her love-affairs and her<br />
attractive qualities which she doutless had. The list o f her<br />
adorants is sheer endless: Erich Wolfgang Korngold ded<br />
icated to her his famous violin concerto, she made friend<br />
ship ^) with Gabriele d'Annunzio, Toscanini, Arnold<br />
Schonberg, Darius Milhaud, Poulenc, Marc Chagall,<br />
Thomas Mann, met Bernhard Shaw, liked H. G. Wells,<br />
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