Hampton Court ... Illustrated with forty-three drawings by Herbert ...

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84 HAMPTON COURT days " is to be found to-day at Hampton Court. In what is called " William the Third's State Bedroom " — a room decorated under Wren's own direction, with Verrio's painful ceiling of Endymion in the arms of Morpheus admired by chasteDian,plumply patronising, and with the beautiful carvings of Grinling Gibbons — are the " Beauties." There is a certain sameness about them all — " the rich curls, the full lips, and the languishing eyes." They are all of a type, in tone, arrangement, and accessories; but they, unlike Kneller's Beauties, are undeniably beautiful. M. Chesneau says somewhat sharply that Lely " unscrupulously flatteredhis models, and soon became the favourite painter among the
LELY'S "BEAUTIES" 85 ladies." x If he flattered, he knew how to do it, and the result is always pleasing. " He could not have worked at more lovely subjects," says Count Anthony Hamilton; " each portrait is a masterpiece." All the ladies — there were eleven originally, of whom nine or ten now remain here — are painted in three-quarter length, in "trailing fringes and embroidery through meadows and purling streams." Others, such as Mrs. Knott, a pretty, quiet ladv, and Mrs. Lawson, by Wissing, and the most lovely little girl— whom we may not now call the Princess Mary, but who is identified as Miss Jane Kelleway, a charming child-Diana — do not belong to the series. There is also the portrait of Anne Hyde herself, who ordered the painter to immortalise the Beauties — a comely, pleasant lady enough, " her whole body sitting in state in a chair in white satin," as Pepys says; and there is the lovely Lady Bellasys (if she it be) as S. Catherine, devout and rapt, who is not one of the Beauties. The Duchess of Portsmouth — Louise de Querouaille — by Varelst, much spoilt by repainting, is a pretty picture ofthe "childish,simple baby face." The " Beauties " themselves were removed from Windsor Castle, during the reign of George III., to Hampton Court, where they fitly remain. The first is MissStewart, the Britannia ofthecoinage. Bow in hand, dressed in a light yellow satin, with face, arms, and head uncovered (like all the Beauties), she is a charming picture. She long resisted all the attrac- 1 " The English School ofPainting,"p.xxxv.
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Rampton Court
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Rampton Court BY WILLIAM HOLDEN HUT
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PREFACE A word, with all apologies
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PREFACE VII the privileges which th
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INTRODUCTION " Iam never merry when
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CONTENTS CHAPTERI THE BUILDINGS AND
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CONTENTS XIII Queen Mary and Knelle
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CONTENTS XV PAGE characteristics of
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LIST OF ILLUSTRATIONS By HERBERT RA
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HAMPTON COURT CHAPTER I THE BUILDIN
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WOLSEY'S BUILDING 3 ing, it is scar
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-5** "a ■* I? ll. &
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6 HAMPTON COURT the bricks intermin
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8 HAMPTON COURT There is no better
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10 HAMPTON COURT his "Anecdotes of
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12 HAMPTON COURT Henry VIII., is as
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14 HAMPTON COURT The hall is entere
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16 HAMPTON COURT VII So, leaving th
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18 HAMPTON COURT If the court, when
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20 HAMPTON COURT interiors can hard
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GREAT GALLERIES 21 eminently suitab
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WREN'S PLANS 23 whom England has pr
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UNCOMPLETED WORK 25 shows how minut
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CHARACTERISTIC MERITS 27 Wren's wor
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EARLY HISTORY 29 King and Parliamen
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HISTORICAL MEMORIES 31 dwelling-pla
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WOLSEY'S GREATNESS 33 Cardinal-mini
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WOLSEY'S LIFE 35 which Wolsey built
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FESTIVITIES 37 satin paned, and cap
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FESTIVITIES 39 To whom the Cardinal
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ANNE BULLEN 41 passed they forth th
Page 91 and 92: FRENCH AMBASSADORS 43 Rooms already
Page 93 and 94: WOLSEY'S HOUSEHOLD 45 friends sent
Page 95 and 96: COSTLY BANQUETS 47 all others were,
Page 99 and 100: REVELRY 49 with ladies, some on hor
Page 103 and 104: WOLSEY'S DEATH 51 they were English
Page 105 and 106: HENRY'S AVARICE 53 there, they were
Page 107 and 108: QUEEN JANE 55 sorrow for the most f
Page 109 and 110: PRINCE EDWARD 57 The young Prince o
Page 111 and 112: TAYLOR'S SONNETS 59 skein of red si
Page 113 and 114: QUEEN ELIZABETH 61 Y Though Elizabe
Page 117 and 118: QUEENLY STATE 63 hair she wore a la
Page 121 and 122: THE PALACE IN 1598 65 " Hampton Cou
Page 123 and 124: ELIZABETH'S DEATH 67 The Palace whi
Page 125 and 126: JAMES I. 69 and say little of relig
Page 127 and 128: CHARLES I. 71 decisive step in the
Page 129 and 130: HOSTILE AGITATIONS 73 the King in t
Page 131 and 132: CROMWELL'S NEGOTIATIONS 75 servants
Page 133 and 134: HIS LAST DAYS 77 have been satisfie
Page 135 and 136: CROMWELL'S TENANCY 79 was his custo
Page 139 and 140: COURT SCANDALS 81 when he doth not
Page 141: PETER LELY 83 VIII At Hampton Court
Page 145 and 146: LELY'S "BEAUTIES" 87 latter is the
Page 147 and 148: WILLIAM OF ORANGE 89 does your Maje
Page 149 and 150: CLAIMS TO GREATNESS 91 which he ach
Page 151 and 152: AS DIPLOMATIST 93 certain unconscio
Page 153 and 154: PRIVATE CHARACTER 95 that the issue
Page 157 and 158: FAULTS AND VICES 97 withheld for ye
Page 159 and 160: DE WITT MURDERS 99 of York's childr
Page 161 and 162: GLENCOE MASSACRES 101 January 1692
Page 163 and 164: AS KING 103 Parliament had declared
Page 167 and 168: AT HAMPTON COURT 105 was not virtuo
Page 169 and 170: KNELLER'S "BEAUTIES" 107 her husban
Page 171 and 172: DEATH OF MARY 109 which the "Beauti
Page 173 and 174: GEORGE I 111 Queen continued her ki
Page 177 and 178: DEFOE ON THE PALACE 113 royal party
Page 179 and 180: CHAPTER III THE PARKS AND GARDENS i
Page 183 and 184: UNDER HENRY 117 In the front of thi
Page 185 and 186: UNDER ELIZABETH 119 II Elizabeth lo
Page 187 and 188: UNDER CROMWELL 121 " upon pillars o
Page 191 and 192: UNDER CHARLES II 123 moved to Bushe
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UNDER WILLIAM III 125 is what is no
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DEFOE'S TESTIMONY 127 formal garden
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MEMORIALS OF MARY 129 in the aid of
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BROAD WALK 131 their most striking
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UNDER GEORGE I 133 Privy Garden. Un
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UNDER GEORGE II 135 Andpolyanthusof
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THE GREAT VINE 137 VI A charming wr
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CHAPTER IV HAMPTON COURT AND THE CH
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HENRY'S ADDITIONS 141 privy chamber
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ASSOCIATIONS 143 The proportion of
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THE QUEEN'S CHAPEL 145 very happily
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THE CONFERENCE 147 the Church, and
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THE CONFERENCE 149 nine Articles as
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THE CONFERENCE 151 which agreeth as
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JAMES'S OPINION 153 the new King wa
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i CHAPTER V THE ART COLLECTIONS The
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TAPESTRIES 157 the days of Wolsey.
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WOLSEY'S TAPESTRIES 159 thousand ma
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WOLSEY'S TAPESTRIES 161 Left-handsi
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WOLSEY'S TAPESTRIES 163 The same in
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HENRY'S TAPESTRIES 165 in the inven
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HISTORY OF ABRAHAM 167 Mortlake. In
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GEORGE I.'S TAPESTRIES 169 patterns
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THE PICTURES 171 IV Scott when he w
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TUDOR GROUP 173 skill in thepaintin
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ELIZABETHAN PICTURES 175 charming d
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ELIZABETH'S PORTRAIT 177 which more
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STEWART PICTURES 179 are many other
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CHARLES I.'S COLLECTION 181 gave th
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ANDREA MANTEGNA 183 Charles it was
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ANDREA MANTEGNA 185 order, and on o
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ANDREA MANTEGNA 187 know it, of the
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ANDREA MANTEGNA 189 Gonzaga, in the
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ANDREA MANTEGNA 191 masterpiece tho
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VENETIAN SCHOOL 193 Jerome Bosch
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LORENZO LOTTO -■95 though injured
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ALBRECHT DURER 197 Psyche, by L. Gi
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GEORGIAN AGE 199 sea-fights, Willia
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BENJAMIN WEST 201 to say, not a sin
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BENJAMIN WEST 203 and human, prepar
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CHAPTER VI LITERATURE AND GOSSIP IN
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POPE 207 Among all the century's de
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"RAPE OF THE LOCK" 209 river floods
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POPE AND MARMONTEL 211 calls it in
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RIVER FRONT 213 Doubtless they sat
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LORD HERVEY 215 they must simper an
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HERVEY AND POPE 217 wrote Gay; and
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HERVEY AND CAROLINE 219 cold-hearte
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HERVEY'S MEMOIRS 221 stuffing; the
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COURT SCANDALS 223 rooms on the gro
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THE PALACE DESERTED 225 of George I
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ITS ENGLISH CHARACTER 227 English c
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LATER RESIDENTS 229 representation)
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PRESENT CARE 231 observe that the p
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MEMORIES OF THE PAST 233 choir, its
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ITS ATTRACTION 235 one would expect
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ITS FUTURE PICTURED 237 new, some o
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240 Naseby, 71; Sir Thomas Herbert'
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242 INDEX JamesII., 89 Janssen, Cor
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244 Villiers,Elizabeth, 97, 130 Vil
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Hampton Court ... Illustrated with forty-three drawings by Herbert ...

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