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Hampton Court ... Illustrated with forty-three drawings by Herbert ...

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26<br />

HAMPTON COURT<br />

age of palace-building passed away. The two great<br />

English architects,Inigo Jones and Christopher Wren,<br />

tried their hands at two palaces — the new Whitehall<br />

and the new <strong>Hampton</strong> <strong>Court</strong>, but neither was completed,<br />

and the day went <strong>by</strong>.<br />

IX<br />

From Wren's day to our own, conflicting opinions<br />

have been held of his alterations at <strong>Hampton</strong> <strong>Court</strong>.<br />

A reaction soon set in against his work, led <strong>by</strong> Horace<br />

Walpole, who lost no opportunity of sneering at the<br />

style, while he excused the architect. His own eccentric<br />

ideas of Gothic forced him to condemn work<br />

which he understood even less than the medieval<br />

methods which he affected to adore. He speaks of<br />

Wren's work in a tone of lordly superiority, as an<br />

imitation of the " pompous edifices of the French<br />

monarch." The author ofthe "Beautiesof England<br />

and Wales" in 1816 gives a still more severe judgment.<br />

He compares Wren's work <strong>with</strong> Wolsey's,<br />

and adds, " So long as those impressive vestiges<br />

exist, assuredly it will be lamented that a British<br />

monarch did not preserve a consistency of English<br />

style in the most extensive palace appertaining to<br />

his crown, or did not, on another site, raise an edifice<br />

equally sumptuous in style, purely and uniformly<br />

classical."

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