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Hampton Court ... Illustrated with forty-three drawings by Herbert ...

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TAPESTRIES 157<br />

the days of Wolsey. The glass is also of various dates;<br />

a little of the old here and there has escaped the<br />

ravages of Puritanism, though all the chapel windows<br />

and all those in the hall have perished. Some new<br />

glass was put in ini847, of which perhaps the less said<br />

the better, save that the shields in the windows in the<br />

great hall trace the descent of each of Henry VIII.'s<br />

wives from Edward I.<br />

II<br />

Of the decorative memorials of the Tudor age that<br />

now remain, the tapestries are the most important and<br />

the most conspicuous. Embroideries, the work of the<br />

hands of queensand fair ladies, have passed away: they<br />

have been mentioned in another connection.1 One<br />

further word, however, may be allowed here. Embroidered<br />

curtains were made, <strong>with</strong> a curious and<br />

pleasing reverence, to veil pictures which might seem<br />

incongruous <strong>with</strong> a scene of revelry.2 Beside the embroideries<br />

hung rich arras and tapestries. Skelton's<br />

bitter satire on Wolsey speaks of —<br />

" Hangingabout their wailes<br />

Clothes of goldeandpalles,<br />

Arras ofryche arraye,<br />

Fresh as flouresin Maye."<br />

1Page 58.<br />

2 " Itis interesting to find in an old catalogue of <strong>Hampton</strong> <strong>Court</strong><br />

howpictures of sacred subjects were thus decently veiled in the pro-

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