Hampton Court ... Illustrated with forty-three drawings by Herbert ...

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204 HAMPTON COURT So we may bid farewell to the pictures. The whole collection is an eminent example of the merits and defects of the eighteenth century galleries. If it is not, nor ever has been, a rubbish-heap, there is a vast deal of rubbish in it. Pictures crowd the walls which were bought because thev were popular, but which were not meant to "live." But with all its defects, the collection is that of a king; and not many a palace anywhere can show so many striking pictures. To have opened it to the public is a service for which the British people, students as well as sightseers, owe to Queen Victoria a debt of very genuine gratitude.
CHAPTER VI LITERATURE AND GOSSIP INTHE LAST CENTURT I. Hampton Court in literature: Thomson's rhapsody. — 2. The " Rape of the Lock " :Pope's fondness for the Thames:his country inspiration limitedto its banks:the origin of the poem: its three foundations: the " Rosicrucian doctrine of spirits " : Marmontel's Sylphs and Pope's " The Expedition to Hampton Court": the game of ombre: the severed lock: Pope's letters: thelife of a Maidof Honour. — 3. Lord Hervey's life: Miss Bellenden and Miss Lepel:Queen Caroline:George II. and his family:Prince Frederick:the hasty drive to St. James's: Queen Caroline's death: later visits of George II.: changes since his time: the Royal fondness for Hanover : English character of Hampton Court. I Hampton Court was so popular a resort for society under Anne and the Georges, that the difficulty in writing of its literary souvenirs is rather to exclude than to illustrate. Jimmy Thomson brings in the Palace as the climax of his enthusiastic rhapsody on the Thames: — " Inlovelycontrast to this glorious view, Calmly magnificent,then will we turn To where the silver Thames firstrural grows. There let the feasted eyeunwearied stay; 205
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Rampton Court
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Rampton Court BY WILLIAM HOLDEN HUT
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PREFACE A word, with all apologies
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PREFACE VII the privileges which th
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INTRODUCTION " Iam never merry when
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CONTENTS CHAPTERI THE BUILDINGS AND
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CONTENTS XIII Queen Mary and Knelle
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CONTENTS XV PAGE characteristics of
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LIST OF ILLUSTRATIONS By HERBERT RA
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HAMPTON COURT CHAPTER I THE BUILDIN
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WOLSEY'S BUILDING 3 ing, it is scar
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-5** "a ■* I? ll. &
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6 HAMPTON COURT the bricks intermin
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8 HAMPTON COURT There is no better
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10 HAMPTON COURT his "Anecdotes of
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12 HAMPTON COURT Henry VIII., is as
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14 HAMPTON COURT The hall is entere
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16 HAMPTON COURT VII So, leaving th
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18 HAMPTON COURT If the court, when
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20 HAMPTON COURT interiors can hard
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GREAT GALLERIES 21 eminently suitab
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WREN'S PLANS 23 whom England has pr
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UNCOMPLETED WORK 25 shows how minut
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CHARACTERISTIC MERITS 27 Wren's wor
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EARLY HISTORY 29 King and Parliamen
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HISTORICAL MEMORIES 31 dwelling-pla
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WOLSEY'S GREATNESS 33 Cardinal-mini
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WOLSEY'S LIFE 35 which Wolsey built
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FESTIVITIES 37 satin paned, and cap
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FESTIVITIES 39 To whom the Cardinal
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ANNE BULLEN 41 passed they forth th
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FRENCH AMBASSADORS 43 Rooms already
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WOLSEY'S HOUSEHOLD 45 friends sent
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COSTLY BANQUETS 47 all others were,
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REVELRY 49 with ladies, some on hor
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WOLSEY'S DEATH 51 they were English
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HENRY'S AVARICE 53 there, they were
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QUEEN JANE 55 sorrow for the most f
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PRINCE EDWARD 57 The young Prince o
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TAYLOR'S SONNETS 59 skein of red si
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QUEEN ELIZABETH 61 Y Though Elizabe
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QUEENLY STATE 63 hair she wore a la
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THE PALACE IN 1598 65 " Hampton Cou
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ELIZABETH'S DEATH 67 The Palace whi
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JAMES I. 69 and say little of relig
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CHARLES I. 71 decisive step in the
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HOSTILE AGITATIONS 73 the King in t
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CROMWELL'S NEGOTIATIONS 75 servants
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HIS LAST DAYS 77 have been satisfie
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CROMWELL'S TENANCY 79 was his custo
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COURT SCANDALS 81 when he doth not
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PETER LELY 83 VIII At Hampton Court
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LELY'S "BEAUTIES" 85 ladies." x If
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LELY'S "BEAUTIES" 87 latter is the
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WILLIAM OF ORANGE 89 does your Maje
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CLAIMS TO GREATNESS 91 which he ach
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AS DIPLOMATIST 93 certain unconscio
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PRIVATE CHARACTER 95 that the issue
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FAULTS AND VICES 97 withheld for ye
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DE WITT MURDERS 99 of York's childr
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GLENCOE MASSACRES 101 January 1692
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AS KING 103 Parliament had declared
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AT HAMPTON COURT 105 was not virtuo
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KNELLER'S "BEAUTIES" 107 her husban
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DEATH OF MARY 109 which the "Beauti
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GEORGE I 111 Queen continued her ki
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DEFOE ON THE PALACE 113 royal party
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CHAPTER III THE PARKS AND GARDENS i
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UNDER HENRY 117 In the front of thi
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UNDER ELIZABETH 119 II Elizabeth lo
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UNDER CROMWELL 121 " upon pillars o
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UNDER CHARLES II 123 moved to Bushe
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UNDER WILLIAM III 125 is what is no
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DEFOE'S TESTIMONY 127 formal garden
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MEMORIALS OF MARY 129 in the aid of
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BROAD WALK 131 their most striking
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UNDER GEORGE I 133 Privy Garden. Un
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UNDER GEORGE II 135 Andpolyanthusof
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THE GREAT VINE 137 VI A charming wr
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CHAPTER IV HAMPTON COURT AND THE CH
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HENRY'S ADDITIONS 141 privy chamber
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ASSOCIATIONS 143 The proportion of
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THE QUEEN'S CHAPEL 145 very happily
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THE CONFERENCE 147 the Church, and
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THE CONFERENCE 149 nine Articles as
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THE CONFERENCE 151 which agreeth as
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JAMES'S OPINION 153 the new King wa
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i CHAPTER V THE ART COLLECTIONS The
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TAPESTRIES 157 the days of Wolsey.
Page 237 and 238: WOLSEY'S TAPESTRIES 159 thousand ma
Page 241 and 242: WOLSEY'S TAPESTRIES 161 Left-handsi
Page 243 and 244: WOLSEY'S TAPESTRIES 163 The same in
Page 245 and 246: HENRY'S TAPESTRIES 165 in the inven
Page 247 and 248: HISTORY OF ABRAHAM 167 Mortlake. In
Page 249 and 250: GEORGE I.'S TAPESTRIES 169 patterns
Page 251 and 252: THE PICTURES 171 IV Scott when he w
Page 253 and 254: TUDOR GROUP 173 skill in thepaintin
Page 255 and 256: ELIZABETHAN PICTURES 175 charming d
Page 259 and 260: ELIZABETH'S PORTRAIT 177 which more
Page 261 and 262: STEWART PICTURES 179 are many other
Page 263 and 264: CHARLES I.'S COLLECTION 181 gave th
Page 265 and 266: ANDREA MANTEGNA 183 Charles it was
Page 267 and 268: ANDREA MANTEGNA 185 order, and on o
Page 269 and 270: ANDREA MANTEGNA 187 know it, of the
Page 271 and 272: ANDREA MANTEGNA 189 Gonzaga, in the
Page 273 and 274: ANDREA MANTEGNA 191 masterpiece tho
Page 277 and 278: VENETIAN SCHOOL 193 Jerome Bosch
Page 279 and 280: LORENZO LOTTO -■95 though injured
Page 281 and 282: ALBRECHT DURER 197 Psyche, by L. Gi
Page 283 and 284: GEORGIAN AGE 199 sea-fights, Willia
Page 285 and 286: BENJAMIN WEST 201 to say, not a sin
Page 287: BENJAMIN WEST 203 and human, prepar
Page 291 and 292: POPE 207 Among all the century's de
Page 295 and 296: "RAPE OF THE LOCK" 209 river floods
Page 297 and 298: POPE AND MARMONTEL 211 calls it in
Page 301 and 302: RIVER FRONT 213 Doubtless they sat
Page 303 and 304: LORD HERVEY 215 they must simper an
Page 305 and 306: HERVEY AND POPE 217 wrote Gay; and
Page 307 and 308: HERVEY AND CAROLINE 219 cold-hearte
Page 309 and 310: HERVEY'S MEMOIRS 221 stuffing; the
Page 311 and 312: COURT SCANDALS 223 rooms on the gro
Page 315 and 316: THE PALACE DESERTED 225 of George I
Page 317 and 318: ITS ENGLISH CHARACTER 227 English c
Page 321 and 322: LATER RESIDENTS 229 representation)
Page 323 and 324: PRESENT CARE 231 observe that the p
Page 325 and 326: MEMORIES OF THE PAST 233 choir, its
Page 327 and 328: ITS ATTRACTION 235 one would expect
Page 329: ITS FUTURE PICTURED 237 new, some o
Page 332 and 333: 240 Naseby, 71; Sir Thomas Herbert'
Page 334 and 335: 242 INDEX JamesII., 89 Janssen, Cor
Page 336: 244 Villiers,Elizabeth, 97, 130 Vil
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Hampton Court ... Illustrated with forty-three drawings by Herbert ...

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