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Hampton Court ... Illustrated with forty-three drawings by Herbert ...

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4<br />

HAMPTON COURT<br />

civil strife of the fifteenth century. As the fifteenth<br />

century advanced castle-building ceased. Towns were<br />

still walled, but private dwellings in England— for in<br />

Scotland and Ireland, as well as on the Borders, the<br />

need for defensive buildings was still apparent —<br />

gradually dispensed <strong>with</strong> the visible tokens of the age<br />

of insecurity. Battlements became an ornament rather<br />

than a protection. Moats were no longer dug,<br />

though here Wolsey kept up the fashion of the former<br />

age, andbefore the great gate of his house had a deep<br />

and wide ditch <strong>with</strong> a drawbridge of the ancient sort.<br />

The details of the houses followed the principle which<br />

had begun to rule their general appearance. Windows<br />

were made much larger all through the century, till<br />

<strong>with</strong> the sixteenth century we have the great windows<br />

which are so characteristic of the building of the Cardinal<br />

and the King. The great dining-hall declined,<br />

though in houses of much state it survived, as at<br />

<strong>Hampton</strong> <strong>Court</strong>,in much of its old splendour. The<br />

custom of the great men dining in common <strong>with</strong> their<br />

households was dying out, as More's " Utopia," in its<br />

plea for a common hall and common hospitality, so<br />

clearly shows. On the other hand, the comforts of<br />

the individual were far more carefully attended to.<br />

The first court of Wolsey's great building consists<br />

entirely of guest-chambers. The lavish decoration<br />

<strong>with</strong>in attempted to counterbalance the economy of<br />

architectural detail <strong>with</strong>out. Windows, in which the<br />

tracery no longer excites admiration <strong>by</strong> its beauty<br />

and grace, were filled <strong>with</strong> rich glass and overhung

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