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Hampton Court ... Illustrated with forty-three drawings by Herbert ...

Hampton Court ... Illustrated with forty-three drawings by Herbert ...

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UNDER HENRY 117<br />

In the front of this greenhouse is another sunk<br />

parterre. To the left, as you look towards the<br />

Thames, is the large oriel which Queen Elizabeth<br />

set in the tower that stands between a fine piece<br />

of Wolsey's building and the rigid stateliness of<br />

the end of Wren's south front. The low walls<br />

stand, it is likely, as they stood in Henry's days,<br />

and on them may now be trained dwarf creepers,<br />

where the bright gillies <strong>with</strong> " the mynts and other<br />

sweet flowers " stood out against the red brick in<br />

the old days. Architecture is brought in to aid<br />

the attraction of horticulture. Steps lead down, in<br />

the little garden hard <strong>by</strong>, to the fountain in the<br />

midst; and, again, low walls and trim hedges shut<br />

off one walk and one design from another. Rising<br />

a few feet and walking southwards, you would come<br />

upon the terrace that overlooked the river.<br />

Iam tempted to quote Ellis Heywood's fascinating<br />

description of that other garden, some miles farther<br />

down the stream, where Henry's faithful Chancellor,<br />

Wolsey's successor, walked <strong>with</strong> his children.<br />

" There each child, each servant, had his own<br />

domain and his own work. There the friends<br />

gathered to talk <strong>with</strong> More," he says in his pretty<br />

Italian memory of the martyr More,1 " on a little<br />

lawn set in the midst of the garden, on which was<br />

a little grass ' mount.' It was a happy spot, crowned<br />

<strong>with</strong> perpetual verdure, having flowering shrubs and<br />

the branches of trees woven together in sort so<br />

1 "IIMoro," Florence, 1556,pp. 13-14-

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