Hampton Court ... Illustrated with forty-three drawings by Herbert ...

More documents

Recommendations

Info

26 HAMPTON COURT age of palace-building passed away. The two great English architects,Inigo Jones and Christopher Wren, tried their hands at two palaces — the new Whitehall and the new Hampton Court, but neither was completed, and the day went by. IX From Wren's day to our own, conflicting opinions have been held of his alterations at Hampton Court. A reaction soon set in against his work, led by Horace Walpole, who lost no opportunity of sneering at the style, while he excused the architect. His own eccentric ideas of Gothic forced him to condemn work which he understood even less than the medieval methods which he affected to adore. He speaks of Wren's work in a tone of lordly superiority, as an imitation of the " pompous edifices of the French monarch." The author ofthe "Beautiesof England and Wales" in 1816 gives a still more severe judgment. He compares Wren's work with Wolsey's, and adds, " So long as those impressive vestiges exist, assuredly it will be lamented that a British monarch did not preserve a consistency of English style in the most extensive palace appertaining to his crown, or did not, on another site, raise an edifice equally sumptuous in style, purely and uniformly classical."
CHARACTERISTIC MERITS 27 Wren's work rises superior to such criticisms. Seen from the Long Canal, or the House Park, or from the Thames, it establishes its claim to be called an impressive English palace, as characteristic of its age, as is Wolsey's work of the early sixteenth century.
Page 7:
Rampton Court
Page 15 and 16:
Rampton Court BY WILLIAM HOLDEN HUT
Page 17 and 18:
PREFACE A word, with all apologies
Page 19 and 20: PREFACE VII the privileges which th
Page 21 and 22: INTRODUCTION " Iam never merry when
Page 23 and 24: CONTENTS CHAPTERI THE BUILDINGS AND
Page 25 and 26: CONTENTS XIII Queen Mary and Knelle
Page 27 and 28: CONTENTS XV PAGE characteristics of
Page 29 and 30: LIST OF ILLUSTRATIONS By HERBERT RA
Page 31 and 32: HAMPTON COURT CHAPTER I THE BUILDIN
Page 35 and 36: WOLSEY'S BUILDING 3 ing, it is scar
Page 37: -5** "a ■* I? ll. &
Page 40 and 41: 6 HAMPTON COURT the bricks intermin
Page 42: 8 HAMPTON COURT There is no better
Page 46: 10 HAMPTON COURT his "Anecdotes of
Page 50 and 51: 12 HAMPTON COURT Henry VIII., is as
Page 52: 14 HAMPTON COURT The hall is entere
Page 56: 16 HAMPTON COURT VII So, leaving th
Page 60 and 61: 18 HAMPTON COURT If the court, when
Page 62 and 63: 20 HAMPTON COURT interiors can hard
Page 65 and 66: GREAT GALLERIES 21 eminently suitab
Page 67 and 68: WREN'S PLANS 23 whom England has pr
Page 69: UNCOMPLETED WORK 25 shows how minut
Page 73 and 74: EARLY HISTORY 29 King and Parliamen
Page 75 and 76: HISTORICAL MEMORIES 31 dwelling-pla
Page 77 and 78: WOLSEY'S GREATNESS 33 Cardinal-mini
Page 79 and 80: WOLSEY'S LIFE 35 which Wolsey built
Page 83 and 84: FESTIVITIES 37 satin paned, and cap
Page 85 and 86: FESTIVITIES 39 To whom the Cardinal
Page 87 and 88: ANNE BULLEN 41 passed they forth th
Page 91 and 92: FRENCH AMBASSADORS 43 Rooms already
Page 93 and 94: WOLSEY'S HOUSEHOLD 45 friends sent
Page 95 and 96: COSTLY BANQUETS 47 all others were,
Page 99 and 100: REVELRY 49 with ladies, some on hor
Page 103 and 104: WOLSEY'S DEATH 51 they were English
Page 105 and 106: HENRY'S AVARICE 53 there, they were
Page 107 and 108: QUEEN JANE 55 sorrow for the most f
Page 109 and 110: PRINCE EDWARD 57 The young Prince o
Page 111 and 112: TAYLOR'S SONNETS 59 skein of red si
Page 113 and 114: QUEEN ELIZABETH 61 Y Though Elizabe
Page 117 and 118: QUEENLY STATE 63 hair she wore a la
Page 121 and 122:
THE PALACE IN 1598 65 " Hampton Cou
Page 123 and 124:
ELIZABETH'S DEATH 67 The Palace whi
Page 125 and 126:
JAMES I. 69 and say little of relig
Page 127 and 128:
CHARLES I. 71 decisive step in the
Page 129 and 130:
HOSTILE AGITATIONS 73 the King in t
Page 131 and 132:
CROMWELL'S NEGOTIATIONS 75 servants
Page 133 and 134:
HIS LAST DAYS 77 have been satisfie
Page 135 and 136:
CROMWELL'S TENANCY 79 was his custo
Page 139 and 140:
COURT SCANDALS 81 when he doth not
Page 141 and 142:
PETER LELY 83 VIII At Hampton Court
Page 143 and 144:
LELY'S "BEAUTIES" 85 ladies." x If
Page 145 and 146:
LELY'S "BEAUTIES" 87 latter is the
Page 147 and 148:
WILLIAM OF ORANGE 89 does your Maje
Page 149 and 150:
CLAIMS TO GREATNESS 91 which he ach
Page 151 and 152:
AS DIPLOMATIST 93 certain unconscio
Page 153 and 154:
PRIVATE CHARACTER 95 that the issue
Page 157 and 158:
FAULTS AND VICES 97 withheld for ye
Page 159 and 160:
DE WITT MURDERS 99 of York's childr
Page 161 and 162:
GLENCOE MASSACRES 101 January 1692
Page 163 and 164:
AS KING 103 Parliament had declared
Page 167 and 168:
AT HAMPTON COURT 105 was not virtuo
Page 169 and 170:
KNELLER'S "BEAUTIES" 107 her husban
Page 171 and 172:
DEATH OF MARY 109 which the "Beauti
Page 173 and 174:
GEORGE I 111 Queen continued her ki
Page 177 and 178:
DEFOE ON THE PALACE 113 royal party
Page 179 and 180:
CHAPTER III THE PARKS AND GARDENS i
Page 183 and 184:
UNDER HENRY 117 In the front of thi
Page 185 and 186:
UNDER ELIZABETH 119 II Elizabeth lo
Page 187 and 188:
UNDER CROMWELL 121 " upon pillars o
Page 191 and 192:
UNDER CHARLES II 123 moved to Bushe
Page 195 and 196:
UNDER WILLIAM III 125 is what is no
Page 197 and 198:
DEFOE'S TESTIMONY 127 formal garden
Page 201 and 202:
MEMORIALS OF MARY 129 in the aid of
Page 203 and 204:
BROAD WALK 131 their most striking
Page 207 and 208:
UNDER GEORGE I 133 Privy Garden. Un
Page 209 and 210:
UNDER GEORGE II 135 Andpolyanthusof
Page 211 and 212:
THE GREAT VINE 137 VI A charming wr
Page 215 and 216:
CHAPTER IV HAMPTON COURT AND THE CH
Page 217 and 218:
HENRY'S ADDITIONS 141 privy chamber
Page 219 and 220:
ASSOCIATIONS 143 The proportion of
Page 223 and 224:
THE QUEEN'S CHAPEL 145 very happily
Page 225 and 226:
THE CONFERENCE 147 the Church, and
Page 227 and 228:
THE CONFERENCE 149 nine Articles as
Page 229 and 230:
THE CONFERENCE 151 which agreeth as
Page 231 and 232:
JAMES'S OPINION 153 the new King wa
Page 233 and 234:
i CHAPTER V THE ART COLLECTIONS The
Page 235 and 236:
TAPESTRIES 157 the days of Wolsey.
Page 237 and 238:
WOLSEY'S TAPESTRIES 159 thousand ma
Page 241 and 242:
WOLSEY'S TAPESTRIES 161 Left-handsi
Page 243 and 244:
WOLSEY'S TAPESTRIES 163 The same in
Page 245 and 246:
HENRY'S TAPESTRIES 165 in the inven
Page 247 and 248:
HISTORY OF ABRAHAM 167 Mortlake. In
Page 249 and 250:
GEORGE I.'S TAPESTRIES 169 patterns
Page 251 and 252:
THE PICTURES 171 IV Scott when he w
Page 253 and 254:
TUDOR GROUP 173 skill in thepaintin
Page 255 and 256:
ELIZABETHAN PICTURES 175 charming d
Page 259 and 260:
ELIZABETH'S PORTRAIT 177 which more
Page 261 and 262:
STEWART PICTURES 179 are many other
Page 263 and 264:
CHARLES I.'S COLLECTION 181 gave th
Page 265 and 266:
ANDREA MANTEGNA 183 Charles it was
Page 267 and 268:
ANDREA MANTEGNA 185 order, and on o
Page 269 and 270:
ANDREA MANTEGNA 187 know it, of the
Page 271 and 272:
ANDREA MANTEGNA 189 Gonzaga, in the
Page 273 and 274:
ANDREA MANTEGNA 191 masterpiece tho
Page 277 and 278:
VENETIAN SCHOOL 193 Jerome Bosch
Page 279 and 280:
LORENZO LOTTO -■95 though injured
Page 281 and 282:
ALBRECHT DURER 197 Psyche, by L. Gi
Page 283 and 284:
GEORGIAN AGE 199 sea-fights, Willia
Page 285 and 286:
BENJAMIN WEST 201 to say, not a sin
Page 287 and 288:
BENJAMIN WEST 203 and human, prepar
Page 289 and 290:
CHAPTER VI LITERATURE AND GOSSIP IN
Page 291 and 292:
POPE 207 Among all the century's de
Page 295 and 296:
"RAPE OF THE LOCK" 209 river floods
Page 297 and 298:
POPE AND MARMONTEL 211 calls it in
Page 301 and 302:
RIVER FRONT 213 Doubtless they sat
Page 303 and 304:
LORD HERVEY 215 they must simper an
Page 305 and 306:
HERVEY AND POPE 217 wrote Gay; and
Page 307 and 308:
HERVEY AND CAROLINE 219 cold-hearte
Page 309 and 310:
HERVEY'S MEMOIRS 221 stuffing; the
Page 311 and 312:
COURT SCANDALS 223 rooms on the gro
Page 315 and 316:
THE PALACE DESERTED 225 of George I
Page 317 and 318:
ITS ENGLISH CHARACTER 227 English c
Page 321 and 322:
LATER RESIDENTS 229 representation)
Page 323 and 324:
PRESENT CARE 231 observe that the p
Page 325 and 326:
MEMORIES OF THE PAST 233 choir, its
Page 327 and 328:
ITS ATTRACTION 235 one would expect
Page 329:
ITS FUTURE PICTURED 237 new, some o
Page 332 and 333:
240 Naseby, 71; Sir Thomas Herbert'
Page 334 and 335:
242 INDEX JamesII., 89 Janssen, Cor
Page 336:
244 Villiers,Elizabeth, 97, 130 Vil
show all

Hampton Court ... Illustrated with forty-three drawings by Herbert ...

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?