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Hampton Court ... Illustrated with forty-three drawings by Herbert ...

Hampton Court ... Illustrated with forty-three drawings by Herbert ...

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ELIZABETHAN PICTURES 175<br />

charming drawing at Windsor of Surrey <strong>by</strong> Holbein,<br />

in which his prim, round face is looking full at the<br />

spectator. Here he looks to the right, and has his<br />

left hand on his sword-hilt. Experts will not admit<br />

the picture to be Holbein's, but it is impossible to<br />

deny its beauty and charm. More striking still<br />

is the "John Reskimeer of Cornwall" (No. 610),<br />

given to Charles I. and admittedly <strong>by</strong> Holbein. He<br />

wears a black cap falling slightly over the right eye.<br />

The left side of his face is turned towards the spectator.<br />

He has a long yellow or reddish beard and a pale<br />

face. It is a masterly picture.<br />

Other Holbeins may be mentioned here, though they<br />

also came from Charles I.'s collection. The splendid<br />

portrait of Froben,1 the great Bale printer, solid,<br />

capable, humorous; the inferior Erasmus ; 2 the Elizabeth<br />

Lady Vaux,3 are all well worth consideration — all<br />

interesting and significant portraits.<br />

There is a very doubtful portrait of QueenMary I.,<br />

No. 640. This is more probably Christina, Grand<br />

Duchess of Tuscany. Her husband, Philip II. (No.<br />

633), in a "black cassock lined <strong>with</strong> white fur," as<br />

Charles I.'s catalogue says, painted probably at the<br />

time of his marriage, is very probably the work of the<br />

great Fleming, Sir Antonio More, Holbein's successor<br />

as the chief portrait-painter of theEnglish court. The<br />

reign of Elizabeth can be well studied here — at least<br />

1 2 No. 603.<br />

No. 597.<br />

3 No. 591. Of this the drawing is at Windsor, and was engraved<br />

<strong>by</strong> Bartolozzi,as was the Reskimeer.

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