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Hampton Court ... Illustrated with forty-three drawings by Herbert ...

Hampton Court ... Illustrated with forty-three drawings by Herbert ...

Hampton Court ... Illustrated with forty-three drawings by Herbert ...

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ELIZABETH'S PORTRAIT 177<br />

which more fitly might be called the dress of an<br />

Arcadian shepherdess. It is all in the style of the<br />

literary rusticity of the day. The Queen, <strong>with</strong> her<br />

fantastic dress worked <strong>with</strong> birds and flowers, her open<br />

bosom, and her high head-dress, worked like the gown,<br />

stands in a woodland scene <strong>with</strong> her hand on a stag<br />

decked <strong>with</strong> flowers. Perhaps she is " Dian chaste and<br />

fair," or a " passionate shepherdess." Certainly she is<br />

very sentimental, and the picture is loaded<strong>with</strong> mottoes<br />

more or less intelligible. Verses, perhaps her own,<br />

which seem to contain an allusion to one of her love<br />

affairs, complete the mystery of the picture : —<br />

" The restles swallow fits my restles minde,<br />

Instill revivinge, still renewinge wronges;<br />

Her just complaintesof cruelty unkinde<br />

Areall the musique that my life prolonges.<br />

With pensive thoughtes my weepinge staggIcrowne,<br />

Whose melancholytears my cares expresse;<br />

Hes teares in sylence,and my sighes unknowne,<br />

Are all thephysicke that my harmes redresse.<br />

Myonely hope was in this goodly tree,<br />

WhichIdidplant inlove, bringe up in care,<br />

But allin vaine, for now to lateIsee<br />

The shales be mine, the kernels others are.<br />

My musique may be plaintes, my physique teares,<br />

If this beall the fruite my love-treebeares."<br />

It is a picture which should be looked at again and<br />

again. There is no other which so happily conveys<br />

the idea of Elizabeth's coquetry and quaintness <strong>with</strong><br />

her shrewd, direct common sense.<br />

M

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