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Related to medicine <strong>and</strong> “magic,” the Iroquois <strong>and</strong> Huron both expressed<br />
particular sensitivities to certain objects <strong>and</strong> colors. When the first Jesuits arrived in<br />
New France in 1611, they quickly began using images as teaching tools, much in the<br />
way that Ignatius of Loyola incorporated the notion of “conversion by image” into the<br />
Jesuit spiritual exercises (Axtell 1985:115). From his earlier work with the Huron,<br />
Charles Garnier (1606-1649) realized that gaining the attention of his audience<br />
required that Christian religious imagery should adhere to certain aesthetics, as well as<br />
color symbolism. Around 1645, Garnier wrote to his brother <strong>and</strong> requested pictures<br />
that included “an eighteen year-old beardless Jesus, Jesus on the cross” <strong>and</strong> images<br />
that distinguished “damned souls from happy souls” (Axtell 1985:115-116).<br />
Additionally, because it was a favorite of the natives, Garnier requested several copies<br />
of a published picture of the child Jesus hugging the knees of the Virgin Mary. The<br />
Virgin Mary was depicted with crown on her head, a scepter in her right h<strong>and</strong> <strong>and</strong> the<br />
Earth in her left (Axtell 1985:115). Given their matrilineal kinship practices <strong>and</strong> the<br />
widely regarded roles of women in both domesticity <strong>and</strong> tribal diplomacy, the<br />
preference expressed for Marian imagery by the Iroquois <strong>and</strong> Huron is hardly<br />
surprising.<br />
As for color, Garnier noted that “Jesus, Mary <strong>and</strong> happy souls should all be in<br />
white; others should be dressed in red or blue – never yellow or green” (Axtell<br />
1985:115). Any such human figures should be “semi-covered, hair straight <strong>and</strong><br />
combed <strong>and</strong> no beards” (Axtell 1985:115). Damned souls, by contrast, should appear<br />
“blackened” <strong>and</strong> engulfed in flames, with the facial expression as agonized as<br />
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