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Glyphs-Handbook-2013

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Tip: It is advisable to keep<br />

uprights and italics in<br />

dierent files since their basic<br />

shapes are too dierent to<br />

linearly interpolate between<br />

them. See section 9.6,<br />

‘Ensuring Family Consistency<br />

across Files’ (p. 76).<br />

9 Multiple Master<br />

9.1 OVERVIEW<br />

With Multiple Masters you only draw the extreme styles of a<br />

font family and then interpolate the styles in between. <strong>Glyphs</strong><br />

supports the following arrangements:<br />

Light<br />

Bold<br />

Light Semibold Black<br />

Light Condensed Bold Condensed<br />

Light Black<br />

Condensed<br />

Light Bold<br />

Light Condensed Bold Condensed<br />

Light Semibold Black<br />

The relation between the masters is defined by their<br />

coordinates, i.e., their width and weight properties. In<br />

addition, you can define other dimensions. The masters span a<br />

design space in which the instances can be placed.<br />

The nodes of the outlines are not automatically linked<br />

between the masters. You can insert nodes in one master<br />

while all other masers stay untouched. Note that for the final<br />

interpolation, the masters need to be compatible, though.<br />

<strong>Glyphs</strong> <strong>Handbook</strong>, May <strong>2013</strong> 73

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