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and some of the font metadata stored in OpenType tables. It is<br />
strongly advised to always work on a copy.<br />
11.3.2 Generating Installable Fonts<br />
Choosing File > Export … will bring up the Export dialog.<br />
To generate an OpenType font for use in layout or word<br />
processing applications, pick OTF as export format.<br />
The Use production glyph names option will automatically<br />
rename glyphs of the final font file according to the Adobe<br />
Glyph List. Some applications and systems, e.g., the text<br />
engine of OS X 10.4, expect this naming scheme. Not using<br />
this option may render the font incompatible with such<br />
environments, so uncheck it only if you know what you<br />
are doing.<br />
The Remove overlap option applies the Remove Overlap<br />
filter at export. See section 4.4, ‘Remove Overlap’ (p. 40), for<br />
more details. In a release font, overlaps must be removed. So,<br />
uncheck this only for testing purposes, or if you have already<br />
removed overlaps manually or with a custom parameter.<br />
The Autohint unhinted glyphs option applies the AFDKO<br />
autohinting algorithm to all glyphs that do not have any<br />
manually set hints. This option expects standard stems and<br />
alignment zones to be set correctly (see 8, ‘Hinting’, p. 67).<br />
Currently, the Save as TTF option is only an experimental<br />
implementation, and does not yet produce TrueType fonts<br />
ready for release. TTFs generated this way need to be processed<br />
by a third-party application like FontLab.<br />
The Export destination option allows you to set a default<br />
location the fonts will get exported to. If you do not set a<br />
destination, <strong>Glyphs</strong> will bring up a save dialog. Be aware that<br />
exporting your font will overwrite any previous instances<br />
with the same name in the same export location. This can be<br />
useful if you use the Adobe Fonts folder as export destination<br />
(see 2.10.7, ‘Previewing in Adobe applications’, p. 32).<br />
<strong>Glyphs</strong> <strong>Handbook</strong>, May <strong>2013</strong> 83