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and some of the font metadata stored in OpenType tables. It is<br />

strongly advised to always work on a copy.<br />

11.3.2 Generating Installable Fonts<br />

Choosing File > Export … will bring up the Export dialog.<br />

To generate an OpenType font for use in layout or word<br />

processing applications, pick OTF as export format.<br />

The Use production glyph names option will automatically<br />

rename glyphs of the final font file according to the Adobe<br />

Glyph List. Some applications and systems, e.g., the text<br />

engine of OS X 10.4, expect this naming scheme. Not using<br />

this option may render the font incompatible with such<br />

environments, so uncheck it only if you know what you<br />

are doing.<br />

The Remove overlap option applies the Remove Overlap<br />

filter at export. See section 4.4, ‘Remove Overlap’ (p. 40), for<br />

more details. In a release font, overlaps must be removed. So,<br />

uncheck this only for testing purposes, or if you have already<br />

removed overlaps manually or with a custom parameter.<br />

The Autohint unhinted glyphs option applies the AFDKO<br />

autohinting algorithm to all glyphs that do not have any<br />

manually set hints. This option expects standard stems and<br />

alignment zones to be set correctly (see 8, ‘Hinting’, p. 67).<br />

Currently, the Save as TTF option is only an experimental<br />

implementation, and does not yet produce TrueType fonts<br />

ready for release. TTFs generated this way need to be processed<br />

by a third-party application like FontLab.<br />

The Export destination option allows you to set a default<br />

location the fonts will get exported to. If you do not set a<br />

destination, <strong>Glyphs</strong> will bring up a save dialog. Be aware that<br />

exporting your font will overwrite any previous instances<br />

with the same name in the same export location. This can be<br />

useful if you use the Adobe Fonts folder as export destination<br />

(see 2.10.7, ‘Previewing in Adobe applications’, p. 32).<br />

<strong>Glyphs</strong> <strong>Handbook</strong>, May <strong>2013</strong> 83

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